Let’s be honest, this is not just a song of the day kind of a song; it has been my song of the moment since it first came out. I have been living for this song, and after seeing the INCREDIBLE video, I seriously cannot get enough. Rarely, there is a song that is in heavy rotation on the radio, and I turn it all of the way up each time it is on; but this is one of those songs. Hearing Sara Bareilles’ amazing cover of this recorded a one of her recent concerts has only made me love this incredible song even more. Check out the video, and the incredible talent of the dancer, Maddie Zeigler, as well:
Also, this is up for video of the year at the MTV video awards; coming up; if it doesn’t win, there doesn’t really need to be a video awards for MTV anymore, because THIS is what music videos used to be all about, and unfortunately, few capture the musicality of the song this perfectly anymore. Bonus: check out Sia singing/the video being recreated live on Ellen; WOW.
Sara’s incredible third full length album did not disappoint. Seeing her live just before this album was released was a real treat; and it turned out to be the show that was recorded for the live album release later that year (the one that I was featured as a photographer on, nonetheless!). She only sang a few new songs, but man, they really built up my expectations for the new release; and per usual, I was not disappointed. Sara has this quality that I think a lot of artists wish they had; she can capture her thoughts, feelings, disappointments, triumphs, frustrations, and most of all, love all within a song. She can transform a thought into a feeling, and turn that feeling into a beautiful piece of music that makes you feel what she wanted you to feel; it takes you right to where she is in that moment. I love that the first song she released from this album, the penultimate Brave, was an ode to her dear gay friend, in hopes that she could help him be brave, and he could come out to his family. This is such a supportive anthem that I really resonate with, and one that is miles beyond a simply catchy chorus and beat. Sara has crafted another beautiful album without a single misstep, and it is apparently getting her more and more attention; it was, after all, nominated for album of the year at the Grammy’s. While she didn’t win, I definitely thought it was the best one of the bunch, and I am appreciative of her talent that she continues to share with us. Song Highlights: Brave, Manhattan, Satellite Call, Islands, December.
Just like Sara, City and Colour is an artist that once I heard him for the first time, I knew I was hooked on something amazing. Dallas Green, aka City and Colour, is definitely an old soul. He is so evocative in his song writing, and so prolific in his musicality, that there is no doubt in my mind that he has been through a few life times; even if only through hardship, love, and loss during this one. He writes music that is so emotion-filled, and beautiful, that I honestly get choked up during many of his songs. He weaves this imagery that makes me feel his music, and makes it an experience, rather than just listening to something catchy or beautiful. There are song that he has on this album, just like on his previous three, that I turn on, turn up, close my eyes, and just feel. When he released the first song from the album, Of Space and Time, I was elated. I was not only in love with this amazing track, but I was once again blown away at how someone could be this talented; he continues to up the game at each turn. The entire album followed suit, and while it is a bit more “polished” than his first albums, I think the raw nature of his craft is front and center. Dallas, please keep making such amazing and beautiful music; I know there are many fans like myself will follow you to the end of time. Song Highlights: Of Space and Time, Harder Than Stone, Two Coins, Take Care, Ladies and Gentlemen.
These three rock-n-roll sisters came out of nowhere. I first heard The Wire on a video show, and I loved it. After that, I checked out the album, and I was blown away; who are these ladies, and where did this amazing album come from? According to many sources, these girls loved Fleetwood Mac growing up, and that style influenced their musical style. While I only hear subtleties, I think these ladies have created a truly incredible debut. Very rarely do you come across a new group that is this incredibly talented, and able to turn out a practically flawless debut album. This is one album that I listened to over and over again, because each song is incredible, and not like anything else I heard this year. Seeing them live a few weeks ago was the icing on the cake; they are INCREDIBLE live, and totally slayed the concert. I hope this is a start of a long and illustrious career for this talented trio. Song Highlights: The Wire, Honey & I, Go Slow, If I Could Change Your Mind, Forever, Falling.
I’ve really liked these twin sisters for quite some time, but never so much as I do since this album came out. Embracing a bit more of an electronic sound, added to their tried and true acoustic, guitar driven sound from the start, they tried something different and completely succeeded. In my honest opinion, they have never been stronger, both in their “new” sound as well as lyrically, I have no doubt that they have attracted many new fans with this album. Much more polished, and cohesive, Heartthrob is definitely my favorite Tegan and Sara album thus far. I found myself loving more songs that ever before, and the album in and of it self is cohesive, solid, and very well made. Not saying that haven’t been this strong in the past, as these ladies are incredibly talented; they just have come into something different, and in my opinion, more developed and polished than ever before. Seeing them live recently also made me appreciate their new album even more; they are incredible live, and this show was better than the one I had seen years ago. Song Highlights: Closer, Now I’m All Messed Up, Shock to Your System, I Was a Fool.
What can I say? It’s Lady GaGa. I have loved her since the first time I heard Just Dance, which was a good 8 months or so before her debut dropped, and since that time, she has gone from a pop diva to a full-fledged pop phenomenon. While many critics agreed that this was a “weak” album for the superstar, especially when compared to her near-flawless previous releases, I think that this album is merely a minor misstep in an otherwise flawless career thus far. GaGa is hugely talented, and that goes without saying; those that don’t like her can’t deny her level of talent is through the roof, and with this album, she reinvented herself yet again. This time, however, it didn’t blow everyone away like it had before. HOWEVER, I feel like this album is a well-rounded, very strong effort from a massively talented artist. With Applause, the first single off of her new album, GaGa released, what I think, is one of her strongest singles to date; but for whatever reason, I didn’t resonate as strongly as previous efforts. The album release was considered somewhat of a “flop”, because it didn’t blow her previous effort out of the water, but I think that GaGa had insurmountable odds to overcome, and as opposed to trying to best herself, she put her best foot forward, and made a record that she felt comfortable with and loved. It is clear that her passion is still front and center, and while there are a few missteps on the album, this is more GaGa gold that fans can enjoy like before. Song Highlights: Applause, Sexxx Dreams, Venus, Gypsy, Dope, Do What U Want.
This album fits squarely in the column of, “I really shouldn’t like this, but… it’s just so… dammit, it’s just so darn good!!”, AKA, what most people would label as guilty pleasures. That being said, I would say that nothing should be a guilty pleasure; if you like something, for whatever reason, just enjoy it! This album was so much better than I was expecting, that I was honestly a little blown away by it. Not only is Miley an extremely talented singer (trust me, she slayed live), but her choices on this album show that not only does she know how to pick a hit, but her choice of producers to work with shows the potential making of a star; after all, you’re only as strong as the music you put out. Remember when Britney was seemingly unstoppable? It was largely because of who she was working with, and I can definitely say that Miley has taken note, and is doing something spot on with her “new” career. With this album, and honestly, with one “stripped down” video for Wrecking Ball, she left her purely innocent pop past as Hannah Montana squarely in the past. Couple that with an infamous racy performance at the MTV music awards, and Miley had transformed herself into the most talked about woman in the room. The attention is well deserved, as this is an incredible pop album, and while it isn’t her debut, it might as well be. I’m not ashamed to say that I love the “new” Miley Cyrus, and if she keeps making albums this strong, she’s got a very long career ahead of her for sure. Song Higlights: Wrecking Ball, Adore You, We Don’t Stop, Drive, #GETITRIGHT, Maybe You’re Right. 
The first time I heard their sleepy hit Strong, I knew I had stumbled onto something incredible. When they released their album, shortly thereafter, I found myself entranced and hypnotized by Hannah Reid’s haunting vocals, which are beautifully paired with saccharine, wispy harmonies and delicate beats. While the album leans towards possibly being a bit monotonous (and I don’t mean this in a negative way… more cohesive), in that a lot of the songs blend so seamlessly together, and nothing stands out as strongly as well, Strong, the album is beautiful, and there is nary a misstep to be found on it. Definitely a great chill out album, reminiscent of, and I have to believe, playing tribute to, gorgeous music from trip-hop artists like Portishead from the past. This is one band that I would love to see play live, as I am sure they are incredible. I love discovering music like this, especially when bands this incredibly talented come out of pretty much nowhere. This is truly an excellent debut, indeed. Song Highlights: Strong, Stay Awake, Hey Now, Wasting My Young Years. 
I’ve loved Hayden for quite some time, and his latest sleepy-rock album is another fantastic addition to an ever-increasingly magnificent music cannon. Hayden is like a very fine wine, he only gets better with each subsequent release. While this is a short album at only 8 songs, he packed in some truly beautiful songs about love and loss, a subject he seems to know all too well. Hayden’s tenderness always shines in his music, and this is another heartfelt album that more people should be listening to. Song Highlights: Almost Everything, Oh Memory, Just Give Me a Name, Motel, Rainy Saturday. 
These lads were a hot point of contention for me at first; they are sort of responsible for the break up of Westlife, my favorite boy band of all time. Once I got past my heartbreak on losing Westlife, I couldn’t help but fall deeply for these guys and their ridiculously catchy pop. This is an album that is far better than it should be; there really isn’t anything on here that’s bad. This being their third album, I can tell that those that are not firmly in the 1D camp need to either wise up or get out of the way; they aren’t going anywhere for a while. After seeing them on SNL, I saw the star power they possess, and their live shows are probably a big reason why their popularity has continued to soar. They are the new incarnation of the boyband, and they are really doing it really, really well. This is another fantastic pop album chock full of singles; which begs the question, why haven’t more singles been released?! Here’s hoping that will be remedied in the coming months; there is enough material on this album to spawn many more hits. Song Highlights: Through the Dark, Best Song Ever, Strong, Story of My Life, Don’t Forget Where You Belong, Little White Lies, Better Than Words.
This may be an EP, but it is filled with such amazing songs, so I felt compelled to include it in the best albums of 2013 for that very reason. I have loved Rosi Golan ever since I heard her amazing duet with William Fitzsimmons, Hazy. Her voice is hauntingly beautiful, and on this gorgeous EP, she has given fans a beautiful mini-album full of some of her best work. Unfortunately, I discovered her previous album, Lead Balloon many months after its release, and it missed my best of 2011 as a result. Fortunately, I saw this immediately on its release, and was able to give a little love to Rosi this year, as it is so well deserved. This is one of those artists that is so incredibly talented, but for some reason, tends to fly just under the radar. If you still haven’t heard of her yet, this is your notice; check out Rosi Golan and this incredible release. This is a gorgeous record, and as with her previous work, it has me excited for what she puts out next. Song Highlights: Curtain Call, Give Up The Ghost, Your Forgiveness, Churchyard Sleep.
With Songs, Mother Gem released a delicious remix album of her hits, along with a couple of new songs (four to be exact!!) to keep the party moving. I was fortunate enough to see her perform this amazing album live earlier this year, and I had such an amazing time (I always do at her shows!!). This is a best of/greatest hits album with the dance knob turned way up, and the lycra extra tight; Titus Jones remixed all of these songs, and made already danceable fun tracks into the ultimate dance party. I always joke that if I could see Leslie perform about once every month, I would never be sad or worry again. I honestly wish it were an option, because this is always the highlight of my week when a Leslie show is on the books. Thanks for another fabulous album, Mother Gem; it is gem-fantabulous!! New Songs: Neon Blood, #1 Cat In America, Happy Birthday, Of Course You Where Glasses. 
What can I say about Sara that I haven’t already said a thousand times? She’s an amazing singer, incredibly talented performer, exquisite singer, and a brilliant song writer. Her debut turned out to be one of my favorite albums of the last decade, and with this new single from her hotly anticipated forthcoming album, Kaleidoscope Heart, she has proven that she still has a lot more amazing pop music to offer us. The song is a cleverly written “fuck you” song, and brilliantly fits within her previous work, and serves as the perfect set up for an exciting new release this fall. I for one cannot wait for her new album, as I have been a huge fan of hers ever since I saw her perform live, and if it is anything like I have come to expect from her in the past, I know that it will probably be one of the best albums of 2010; and if this song is only a testament to that, it’s bound to be! Glad to see that you’re back, and in top form Ms. Bareilles! 
I honestly thought I had posted about this song already; so let me say, what an egregious error I have made by not doing so sooner! This is from the recently released album Magnetic North, from the always quite amazing Aqualung, and I thought it appropriate to post this one today (since I hadn’t already), not only because it’s my favorite track from the album, but also because it is incredibly beautiful (well, that and it allows me to keep the Sara Bareilles love rolling on). I remember seeing Aqualung a few years along with Sara Bareilles, and I never thought that their meeting would turn into a beautiful musical relationship like this. Matt really has proven to be a beautiful song writer, and this collaboration just sends it over the edge; this song is definitely one of his best. 
“Dance, it’s all I wanna do, so won’t you dance? I’m standing here with you, why won’t you move?” Well, since you asked so nicely, Ms. Minogue, I will oblige!! While I don’t consider myself to be a Kylie super-fan, I do enjoy a lot of her music, and her previous release X was probably my favorite of hers thus far. After enjoying that release so much, I was excited to see she would be releasing a new album this summer, and given how much I like the lead single, I think it may be another one I can count amongst my favorites. My favorite part in this song is when she delicately sings that line above at about 2:10 in; beautiful!!
This is my, “unless you’ve been living under a rock, you should have heard this amazing, brilliant, pop masterpiece by now, but since I am sure some people haven’t (crazy?!), I have to post it” song. Seriously, Robyn, is a pop GODDESS. I was extremely excited when Fembot came out a few months ago, and the promise of THREE new albums was made for release this year, and so far, all I can do is stop typing, clap my hands in raucous applause, and scream bravo to Robyn. Her previous self-titled release, showed the world of pop music exactly how high the bar could be set, and with these new releases this year, it appears that only Robyn can reach the dizzying heights where she herself placed that very bar. I can’t wait to see how this whole situation plays out this year, because as I predicted even before hearing Body Talk, Part 1, I tentatively called this year musically going to Robyn; and it looks like my prediction is even closer to reality. This song is brilliant music-making people. Take it in!
Before I even knew who Sleigh Bells were, I got to see them in concert; they opened for Major Lazer a few months ago, and I was at the show early enough that I got to see their set. While I didn’t know who they were when they took the stage, I can definitely say I wanted to know who they were by the time they were done. They were incredible live, and their debut album Treats (which is pretty amazing as well), just came out last month. Overall, this is probably my favorite song from the album, and as I said elsewhere before, it is a song that, if I were a fashion designer, I would send my collection down the runway to. This song is power, raw and unabashed, and it demands attention. I love the well placed scream towards the end of the song that makes me just want to dance all night. I love when I find bands that I have never heard of, and they turn out to be amazing; lucky for me, Sleigh Bells is definitely one of those bands. 
This song isn’t actually on Florence + The Machine’s impressive new release, that is, unless you managed to get the deluxe (or extended?) edition, which is a shame, because this is hands down, the best song on the album for me. I love the way that it starts so soft, and the way that she builds with the beating drums and the pounding rhythms to crescendo; only to instantly screech to a halt and bring it back down again. The ache and wailing of her voice is nicely coupled with the sharpness of the beat; all of which make this track stand out more than any other on the album to me. Definitely a great reason to get the deluxe version!
I was checking out Sara’s website earlier this week to see what she was up to recently (I am wanting a new album soon, after all, I really love Sara B as you should all know by now), and she posted that she had collaborated with Ryan Tedder on this track and that it was now available on iTunes. One listen, and I can see why she was spreading the news; it is a beautiful song, and per usual, her vocals are amazingly beautiful. I have this weird relationship with Ryan Tedder, in that I like SOME of his stuff, but overall, I’m not what I would consider a fan. However, you put Sara Bareilles on the track, and I AM THERE. Beautiful song (even if I think she out sings him by a long shot…).
The vocals of this one remind me a bit of Biz Markie, but after seeing the video, I love how this nerdy white boy is laying down smooth classic R&B like this, and doing it so well. The music style reminds me a lot of the Delfonics, and I think it really does a great job of bringing such an amazing classic sound back into the limelight. Something about this song is just really sweet, and full of a sentiment that made me instantly love it. While the song has been out since last November, it just came across my desk this week, so I am delighted to pass it on to you.
It was kind of weird how I discovered Greg Laswell. I was supposed to go and see the AMAZING Elizabeth and the Catapult earlier this month at Edie’s Attic, and unfortunately, I bought tickets before I knew James and I were going out of town for a wedding. I put the tickets in a friend’s name, and went to see who else was playing with them to give her the heads up before she went. That’s where I saw a picture of Greg, and if you know anything about me, you would know that I am a sucker for a guy with a beard, so I instantly knew I had to go and check him out (even though I unfortunately wouldn’t be seeing him live). Well, I downloaded his most recent release, Three Flights from Alto Nido, and I was impressed with how beautiful an album it is! I love his musical style, which is very similar to Mat Kearney and even has touches of Hayden and Duncan Sheik to it. All in all, I discovered a new artist that I really like without even seeing him in concert, because I was supposed to go to the show, and couldn’t! Weird? Yes, but the music is fantastic, and at least I got to take that away from it (I wish I could have seen him live though).
Here’s my blast from the not-so distant past track for today. I realized this week that I hadn’t listened to Fiona Apple in such a long time, and as a huge fan of hers, I was wondering why, so I decided to remedy that. Well, after listening to Extraordinary Machine again, I recall just how happy I was 
First up today is the amazing Angel Taylor, who I posted about a 
Now, I have heard of Bon Iver before, and I have seen the insane amount of hype surrounding this fella. I didn’t get it. I didn’t see it. However, I was watching Monday’s episode of Chuck, and this amazingly beautiful song was playing in the background as Sara took Chuck to find his father. This was that song. At first, I thought it was a really depressed Coldplay song, because Bon Iver sounds EXACTLY like Chris Martin with a dash of Mat Kearney, but I came to find out that it was actually Bon Iver, thanks to the amazing power of the internets. Thank GOD for websites that post this type of information, because I love this song, and I had to have it immediately. It is beautiful! I can definitely say that I have a greater understanding of some of that hype for Bon Iver now. I guess I can thank the producers/music coordinators (?) of Chuck for including it!
Today has turned out to be rather folky, hasn’t it?! Oh well, let’s continue down that road, because after all, I really do love the softer side of music. This song struck me instantly with it’s sweet country-alternative sound, smoky vocals, and toe tapping rhythm. I really liked what M. Ward did with Zooey DeSchanel in the group She & Him, and he doesn’t disappoint on his own either. This is a really beautiful song, and really sparked my interest in his recently released solo album, Hold Time. I love how distorted and weathered his voice sounds, and I especially enjoy the simplicity of the arrangement of the song. 
When Kelly finally released a very commercially viable single after years of trying to escape the depressed state that My December painted her into, I was all for it. I have been a big fan of Kelly’s from the beginning, and I knew that if anyone had it in them to burst back onto the pop scene, unscathed, it was her. Well, her recent release may have a few duds (3 in fact) that I would have preferred that she just left on the cutting room floor, the rest of the tracks are definitely strong, and all highlight the Kelly I fell in love with back with Breakaway. This track takes the energy of My Life Would Suck Without You, and revs the engine and slams down the pedal, sending you on a fast spin around the track. I absolutely love her vocals on this track, and can’t get the chorus out of my head, no matter how hard I try. Welcome back Kelly! (Note: I know that this song was written, at least in part, by Katy Perry, and while I can’t stand her, this song is just too pop perfect to ignore because of the stuff that she has done; plus, she didn’t sing it!). 
For me, Ciara really will never do better than One, Two Step. It isn’t her fault, because that track is literally hip hop-pop perfection. It is a song that, no matter how many times I hear it, it always gets me dancing. However, that love didn’t translate into following much else that she has done, but when I saw that she was coming out with a new CD, I will admit that I was curious to see if there was to be another One, Two Step-like track amongst the bunch. Well, this song, which is a duet with Justin Timberlake (and which is something that usually turns me off instantly), is definitely a dance floor filler, and while it may not have the staying power of One, Two Step, I am definitely enjoying it more and more with each listen. I will say, that after seeing the video, I want to know who in the hell choreographed it, and especially who the wardrobe person was. They should be fired on the spot! She wallows on the floor most of the time, all while clad in a very unflattering animal print unitard. It was not the video I would have expected for this song, and I really don’t think that it does anything flattering for either Ciara or the song. Oh well, I guess you can’t win ’em all.