Well, this is a definitely a few weeks overdue, but I have had good excuses: I have definitely been busy. But enough about that; let’s get to my Mat Kearney concert experience.
Overall, the concert was great. Mat sounds amazing live, and totally delivers in concert. He probably played all of his songs from his first album, as well as his new album (which is amazing, btw). I couldn’t have wished for a better performance.
I got a lot of great pictures of Mat, and even a few good ones of his crazy hot guitar player that was to the left of him; in fact, all of the backing band members were cute and bearded (which was definitely an added bonus). You can check out the whole set on flickr.
One cool thing that happened during his set, was when he was singing a song, and started to get down off of the stage to lean over and touch people’s hands: surprisingly, instead of just shaking hands and what not, he jumped off the stage into the crowd and ran right past us!! You could tell that no one was expecting it, because instead of rushing up to him, people just ran away from him. It was kind of funny, actually, because you would have expected the opposite. I managed to get a very paparazzi shot of the moment he was closest to me. Neat stuff indeed. I think it added to the whole concert, because he was clearly having fun because of the crowd. I did think that he was a bit cocky with expecting everyone to know the words to all of his songs, because near the end of the show, he pretty much just held up the microphone to the crowd for like 15 minutes. While that was a little annoying, it didn’t distract from how good the rest of the show was.
Since it was at a standing room only venue (Center Stage), I just knew that I would encounter some of those “we are entitled to walk to the front and stand in front of you because we are better people just because we are” people, and low and behold, about an hour into the show, they tried to push their way up in front of us. The best, though, was that they ended up in front of the people in front of me, and they were very vocal about their disapproval; they left after like 2 songs. I just don’t understand why people have that sense of entitlement. If you want to stand in the front, do like we did; get there early, and wait it out. If not, don’t complain when someone doesn’t want you to come up in front of them and stand there; we put in the time, so we deserve to be up front… you don’t. /rant
I know that I was gushing about how Lose Control was the best song on the new album by the Saturdays, and while it is AMAZING, I think I might have been wrong. THIS is the best song their new album. It is amazing. It evokes the same feeling of another amazing track, No Air, and has me breathless after each listen. I still cannot get over how amazing their sophomore album is; it is even better that their debut (which was stellar, btw). The Saturdays have made some brilliant pop, and this is sitting pretty atop the rest right now; this song is epic, and totally beautiful. I am PRAYING that they release this as a single, because there is no way that it wouldn’t be number one. Seriously, this song is EPIC. BRILLIANT. AMAZING. LOTS OF WORDS IN ALL CAPITAL LETTERS. This record is amazing, and I can’t seem to say it enough.
WARNING: This song says fuck in it like 65 times; you have been warned. I opted not to go for the radio-friendly version, because I love the tenacity with which she screams fuck in each threatening line of the chorus. This song is a total guilty pleasure, one that uses an arrangement that borrows heavily from Soft Cell’s Tainted Love; but it is almost as if she borrowed the arrangement from Rihanna’s SOS, which borrowed its arrangement from Soft Cell. Interesting. The result is a great back beat with a fierce song about fucking up a bitch who comes after your man. Don’t fuck with Kaci; she’ll cut a bitch!
GUILTY PLEASURE ALERT: I resisted the shit out of this song. No way was I going to concede and like someone who thought it was cute to spell her name with a dollar sign in it. However, far too many of you suggested this song to me to ignore it any longer; and what better time to post it during Pride weekend. This song is a true banger, and I am sure that it will be loved by gay boys all over; including this one. Yes ladies and gents, I give in. I love this ghetto fabulous track by Miss Kesha… I’m sorry, I mean Ke$ha. Ugh, I still don’t like that, though. Also, what the hell is up with the line, Now, the dudes are lining up cause they hear we got swagger/But we kick em to the curb unless they look like Mick Jagger? Someone needs to let this little cutie know that she can do better than guys that look like tired old Mick. I’m just saying; Ke$ha, don’t sell yourself short, doll.
LOOK! IT’S THE GAYEST VERSION OF JUST DANCE SINCE JUST DANCE! Seriously, I tried really hard not to like this complete rip on Lady GaGa’s amazing first single, Just Dance, but I just couldn’t resist. Cascada has danced her way into my heart again, and I just can’t resist any longer. Yes, this song is pretty much a spot on remake of Just Dance; it follows the exact same formula that Lady GaGa perfected with Just Dance. However, isn’t imitation the sincerest form of flattery? If that’s the case, Cascada LOVES her some Lady GaGa, and she made this little homage so we could all get out on the floor and keep the dance party going. I have been playing this one for a few months now, probably way more often than I should, and I thought it was perfect for a Pride 5SF, so here it is. You win again, Cascada! Gays rejoice! Dance music for the masses!!
Oh how much I love Lisa Scott-Lee; let me count the ways… a song consisting of nothing but hyper sexual double entendres, the fact that she was in the amazing pop super group Steps, and 
I have been known to gush incessantly about some songs, but I try my best to reserve that for those that I am totally and utterly blow away by. Well, ladies and gents, this is one of those songs, and I am going to nothing short of tell everyone I know about this one. This song is immensely beautiful, and the arrangement is perfect. It is so good that I have to admit that I was actually kind of surprised by it. While I really liked their last album, this towers so high over anything they have done so far, that there really is no way that it wouldn’t take a fan even more diehard than myself by surprise. Don’t get me wrong, this is not a dig in any way to their previous work; they have some brilliant and amazing stuff out there already, but this song hits like the ultimate crescendo. Jared Leto’s voice soars alongside the building riffs and sends chills up my spine when he hits those high notes and sustains them so pitch perfectly. This takes everything they have done before and perfects it. I can’t heap enough praise on this track, and I cannot wait until their new album comes out; because if it is anything like this, it is going to be utterly brilliant. Simply put: AMAZING. 
I had a bit of a twitter/facebook snafu yesterday when I proclaimed my love for this song; when I accidentally said I liked Robin Williams’ Bodies. Well, let’s clear that up; THIS is the Bodies that I am heaping my praise on (well, I wouldn’t mind heaping some praise on Robbie Williams’ (not Robin Williams) actual body, but that is topic for another time and another place). Overall, whenever Robbie releases a new single, I always want to like it, and sometimes I do, but when I first heard Bodies, I didn’t. I think it was the hard distortion sound that accompanies the beat that turned me off at first. However, I have heard it a few times, and now I see how wrong I was; this song is beautiful and I actually love the hard distortion completely now! I realize now that I didn’t give it the chance that it so rightly deserves. This song is catchy, the arrangement is excellent, and Robbie’s voice is as beautiful as ever. 
Some of you probably wonder why in the hell I would be posting a Spanish song, but trust me, this song took me by much more surprise than you could possibly have for me featuring it. I have had a love hate relationship with Nelly Furtado; mostly, I LOVE all of her older stuff that I felt was more “her style”, and I practically HATE everything she did with Timbaland. I remember when Promiscuous came out, and I really liked it at first. However, that quickly turned to disdain, because with each subsequent single, I felt the Nelly I instantly fell in love with back in 2001 with I’m Like a Bird was completely gone. That troubled me, and as such, I kind of started ignoring her. It wasn’t until I saw the video (
Even though I am a fan of American Idol, I can’t say that there are many of those kids that I avidly kept following after they left the show. Katharine McPhee is one of the notable exceptions. After delivering an amazing, if not totally ignored (
Britney’s lastest single, the total earworm 3 will in fact 
Clea were a band that came together after the girls met each other during the auditioning process for Pop Stars: The Rivals. While they didn’t win, they managed to release some pretty great pop music together. Clea had some issues with getting an album out, but when they finally did, it was filled with cheesy pop that has been a guilty pleasure of mine for years. This is my favorite song from the album Trinity, and even though Clea are long gone from the music scene, I still absolutely love this song. It is dance-tastic, and is just the type of cheesy British pop that I can’t get enough of right now. 
Rachel was in a fantastically cheesy-but-brilliant pop band called S Club 7 (who I completely and utterly adore!), and after the band broke up (*sad face*), she went out on her own, and released some pretty great solo stuff. Anyone who has been following this blog for a while now knows that I am a sucker for a great cover song, and this one is nothing short of fantastic (even though it isn’t on any of her albums!). Surprisingly, they actually played this on So You Think You Can Dance (last year I think) during a disco routine, and at the time, I was reminded of how much I love Rachel, and miss her contributions to pop music. My recent resurgence of interest in early 00s pop music wouldn’t be complete without a little love for Rachel and the rest of the S Club crew. 
As is the case with many British pop bands, the formula of releasing cover songs is pretty much a standard, and V are no exception to the rule (this is a cover of The Jackson 5’s hit of the same name). However, even though it is a cover, it is cheesy boy-band pop at its BEST (which is probably why that formula is followed so predictably). Around the time the US was pining over The Backstreet Boys and N*SYNC, the UK had a slew of boy bands popping up left, right, and center. V was one of the bands that managed to have a few hits, only to disappear into near obscurity overnight. It’s interesting to me, that right now, there is 
Many of you probably know Emma better by her stage name, Baby Spice; a name that she was given to her when she was in the Spice Girls. However, a lot of you might not know that every one of the Spice Girls kept working on music once the band broke up (a lot of it is brilliant!), and Emma’s second solo album is one of the best of the bunch; there isn’t a bad song on it. Emma was on the early end of the currently growing trend to harness a throwback sound; and in her case, as exhibited by the theme of this album, it was the swanky sound of pop music from the 60s. She had moderate attention in the states with her hit Free Me, which was remixed and made some waves on the dance scene, but Maybe was always my favorite from the album. Hearing this again made me realize just how much I love that whole album, and I’m glad to feature it today as one of my all time favorite British pop songs. 
Arguably one of the biggest of the songs featured on today’s 5SF, this massive song by pop super group Steps pretty much embodies the uber cheesy heart of British pop of the early 00s. Steps were insanely huge when they were making music, and caused quite a stink with their fans when they disbanded; mostly because they had reassured everyone they wouldn’t when the rumors of a break up started flying. Because I didn’t find out about Steps until after they disbanded, I was shielded from any bad feelings about them, which is good, because I truly love some Steps. They are like a cheesy ABBA disco tribute band gone completely over the edge with bubble gum pop goodness. This is my favorite song by Steps, and it really is a shame that they didn’t continue on, because they made some really great pop music together. I’ve always thought this song was the perfect song for a Friday, because it’s all about getting ready for the weekend, so I thought it really worked for today. 
I posted about this amazing track on the 5SF a few weeks ago, and I have been loving it more and more with each listen. In order to celebrate the release of their new album, 
in the US today, I really wanted to shine some more light on this song, because I love it so much. The arrangement is interwoven quite delicately with many layers, and the lyrics are comforting, like a warm blanket on a cold day. I find myself listening to this one over and over and, each time I do, I truly appreciate how magnificent it is. I absolutely love stumbling on amazing music like this, and can’t wait to share it with anyone who will listen. Take another listen to Noah and the Whale’s Blue Skies, the song of the day for today; I am sure that you will love it as much as I do (if you don’t already).
— as of posting this, the song is free, so you should hurry over and get this gem while the deal lasts!! 
It is with great excitement that I bring you the BRAND NEW single from Hellogoodbye!! When We First Met marks a triumphant return to producing great pop for Hellogoodbye, and if this is any indication as to what we can expect from their next release, my longing for new material from them might have been worth the wait. I have been a fan of Hellogoodbye ever since I fell in love with their full length debut, Monsters! Aliens! Dinosaurs! Vampires! way back in 2006 (!!!). Then, after seeing them in concert, I fell even more head over heels for them, and have been clamoring for the chance to get some new music from these guys; and (not that it’s a bad thing, I just want a new album!) all I’ve gotten (until this week) was a re-issue of MADV with some extra tracks. While this track is a little less “electro-pop” than most of their debut, it shows them moving in a great direction (channeling their softer, sweeter side they showed on Oh, It’s Love), and I, for one, find myself even more excited for a new album from this bunch. You can get a copy of the When We First Met mini EP by signing up at their 
I have featured songs on the 5SF before that I heard playing in the background of a show before, and this is one of those tracks. Those of you that watched the season premiere of Dollhouse will probably recognize this one; it was played during the first 10 or so minutes of the season premiere, and I loved it so much I had to have it. Luckily, a quick google search of the lyrics, and I was in business. I love the lyrics, and the delicate arrangement. When I first heard it, I knew there was something familiar about the song, and when I found it, I discovered that the male vocal was none other than William Fitzsimmons (who I found randomly not so long ago as well)! The final bridge/chorus where their voices intertwine and harmonize is fucking unbelievably beautiful. I am glad that the music producers of the show chose it, and I am glad that I could hunt it down and share it with you guys as one of today’s selected tracks. 
When I heard that Newton had released a new album, Rebuilt by Humans, the follow up to his Hand Built By Robots, I’ll be honest, I wasn’t terribly interested. While I really fell in love with Dream Catch Me, the major single from HBBR, it took me a while to get into it, but when I did, I was hooked. However, that interest eventually fizzled, when the rest of the album didn’t really gel for me. Well, one of you guys (thanks 
I will be totally honest, and get this out of the way right up front; I have been sitting on this one for a while now. While I loved this song the first time I heard it, I could only get my hands on a boot-leg, low quality version of it; but that all changed this week. Now that I’ve got the goods, I am more than happy to get the word out about the new amazing single from this Danish sensation; who previously filled me with shrieks of delight when I heard their amazing single, Fascination. While their entire debut album, This is Alphabeat, never really struck as strong of a chord with me as Fascination did, I never turned my attention completely away from these guys, as I knew they were capable of repeating that greatness again. With The Spell, they have totally captivated my attention once again with an extremely strong, catchy single, and I can only hope that the second time is the charm for me with Alphabeat. In the meantime, I can’t stop dancing around to this wonderful track.
Yes, you are reading that right: I am featuring a song by Third Eye Blind, and no, it isn’t 1997! Most people probably think of the late nineties when they think of Third Eye Blind, because that was when they had the most success with radio mainstays Semi-Charmed Kind of Life, How’s It Going To Be, and Jumper. I randomly noticed they had released a new album recently, when I stumbled onto the stop-motiontastic video for Don’t Believe A Word. While the song didn’t fully draw me in initially, there was something about it that I really liked, and as such, I downloaded it. After a few listens, I realized it was the amazing riff that they utilize during the chorus that I loved. I always really liked his voice, and the song overall has proven to be quite the earworm. If you don’t count the part where he screams “you whore I’ll fucking kill you” right before the first chorus, I would venture a guess that Third Eye Blind could have another mainstream hit on their hands; more than 10 years after their successful debut. 
I wanted to pay tribute to the change in line up of a certain amazing girl group; a change that very well may spell the final fate of that very band’s future. Earlier this week, 
AMAZING. That is one word that could easily be used to describe Anouk’s voice. I have featured her on the 5SF before; it was after hearing her amazing Lost on So You Think You Can Dance. Other than that song, I didn’t really seek out any of her music at the time… until recently. I am always scouring new releases for something new to check out and listen to, and I noticed that Anouk’s new album (with intense and quite amazing cover art) was released last week. As such, I figured I’d give it a go, and I am so glad I did. There are some massive songs on this album, and this one is my favorite. I absolutely love the power in her voice; she could jump a car battery using her vocal cords. This song is incredibly beautiful; the arrangement, lyrics, vocals, and all. I’m glad this one made a blip on my radar screen, because it is truly a wonderful find. As my friend Deb and I were discussing just yesterday about the album, it really is a wonder why Anouk isn’t more famous here; she is an amazing musician.
This light and airy number from this band of folk masters is truly a delight. I heard it randomly on the radio, and I was surprised by how much I enjoyed the harps as they combine with the drum machine and the deep backing bass. The delicate vocals are woven in beautifully, and make for a truly beautiful song. If you are a fan of any of these guys or their respective bands (M. Ward did solo stuff and is in She & Him, Connor Oberst did solo stuff and is in Bright Eyes with Mike Mogis, and Jim James is in My Morning Jacket), you will definitely hear their influences weighing heavily on this track, and you will probably enjoy their work together, just as much I do.
This song didn’t really make such a big splash with my initially, but upon a second lesson, I fell really hard for it. This track was offered as a free track on iTunes a week or so ago, and I always give those tracks a listen; just in case. This time, it paid off, because I absolutely adore this song. It has the energy and spunk of the Sounds’ No One Sleeps When I’m Awake, and throws in a bit of that light, syrupy goodness of bands like the Lightning Seeds and the Pet Shop Boys (especially with regards to the male vocalist). Overall, it was a great find that lead me to checking out their recently released album, Let’s Be Friends; which has several other great songs on it as well. 
I give in. I cannot resist anymore. This song is by Madonna, and it is BRILLIANT. I want to dance all fucking night long and this song fills me with a gay glee that I cannot fully describe in words. As many of 