Since I rarely like to follow convention, I am NOT sticking to the prescribed definition of a single for this list; after all, some artists resist releasing their best songs as singles, while others know what’s good for them.
Here are my top 75 songs/singles of 2009:
1) Will Young – Hopes and Fears
2) The Saturdays – Here Standing
3) RichGirl – He Ain’t Wit Me Now (Tho)
4) Marina and the Diamonds – I Am Not A Robot
5) 30 Seconds to Mars – Kings and Queens
6) Noah and the Whale – Blue Skies
7) Antony and the Johnsons – Another World
8] Lady GaGa – Bad Romance
9) Madonna – Celebration
10) Passion Pit – Sleepyhead
11) Erik Hassle – Isn’t It Obvious
12) Silversun Pickups – There’s No Secrets This Year
13) Kelly Clarkson – Don’t Let Me Stop You
14) Angel Taylor – Chai Tea Latte
15) Katharine McPhee – Say Goodbye
16) A Camp – Bear On the Beach
17) Chase & Status – End Credits
18) Miike Snow – Animal
19) Great Northern – Story
20) The Gossip – Pop Goes The World
21) White Lies – Death
22) Amerie – Heard ‘Em All
23) Nick Lachey – All In My Head
24) Mariah Carey – Obsessed
25) Owl City – Hot Air Balloon
26) Marmaduke Duke – Rubber Lover
27) The Low Anthem – Charlie Darwin
28) JLS – Everybody’s In Love
29) Alesha Dixon – Breathe Slow
30) Death Cab For Cutie – Mirror Speaks
31) The Swell Season – In These Arms
32) Yeah Yeah Yeahs – Heads Will Roll
33) Mat Kearney – Closer To Love
34) Band of Skulls – I Know What I Am
35) The Sounds – No One Sleeps When I’m Awake
36) Little Boots – New In Town
37) LaRoux – Bulletproof
38) Booty Luv – Say It
39) Alphabeat – The Spell
40) Ke$ha – Tik Tok
41) Bat For Lashes – Daniel
42) Glasvegas – Geraldine
43) Hellogoodbye – When We First Met
44) Peter Bjorn and John – It Don’t Move Me
45) Mew – Beach
46) A Fine Frenzy – Bird of the Summer
47) Alexisonfire – Young Cardinals
48) Florence and the Machine – Bird Song
49) Bon Iver – Blood Bank
50) Britney – 3
51) Metric – Gimme Sympathy
52) Elizabeth and the Catapult – Apathy
53) Matthew Barber – Easily Bruised
54) Frankmusik – Confusion Girl
55) Lily Allen – The Fear
56) Grizzly Bear – Two Weeks
57) Anouk – Lay It Down
58) Eulogies – Two Can Play
59) Weezer – (If You’re Wondering If I Want You To) I Want You To
60) Mayer Hawthorne – Just Ain’t Gonna Work Out
61) Noisettes – Don’t Upset the Rhythm
62) VV Brown – Shark In The Water
63) Parachute – She Is Love
64) Mika – We Are Golden
65) St. Vincent – Actor Out of Work
66) Lady Antebellum – Need You Now
67) Pete Yorn and Scarlett Johansson – Relator
68) Cascada – Evacuate the Dancefloor
69) Lovemakers – Love Is Dead
70) Robbie Williams – Bodies
71) Nelly Furtado – Manos Al Aire
72) The Avett Brothers – I and Love and You
73) Alexandra Burke – Bad Boys
74) Adam Lambert – Time For Miracles
75) Imogen Heap – First Train Home
Well, that was quite lovely, now wasn’t it? Consider this the blueprint for a pretty kick ass play list; approved by me.
I’ll admit I wasn’t a fan of Amerie at first. I initially found 1 Thing slightly off-putting because of the intensity, and the way she basically screamed the song at you. Well, a few years later, I heard the brilliant Take Control (which was on her last record, that apparently, wasn’t released in the US), which gave me new respect for Amerie; which translated into me even beginning to enjoy the (actually quite amazing) 1 Thing. Naturally, when I noticed that Amerie had released her new album In Love and War earlier this month (and especially after hearing this banging lead single) I had to check it out. There are several great tracks on it, and I have been playing this one in particular on repeat. Amerie’s music has a feel to it that lets you know it’s her right off the bat, and songs like this make me want to get out of my seat and dance around. The layered big band instruments and booming bass make this a track that is just begging to fill dance floors. The energy in this track is high, and with this new single, Amerie has come back to the States stronger than ever. 
The first time I heard this song was a little over a month ago, and initially, while I did like it, I wasn’t blown away by it. However, after several subsequent listens, it has grown on me, and I have been enjoying this guilty pleasure more and more with each spin. This is one of those songs that would fit perfectly on US pop radio, but because it is a UK artist, the chances of that happening are ever so slim. However, I read that Alexandra (who won X-Factor last year, the year after Leona Lewis; one Brit who famously did make it to the top of the US pop charts) is actively working with several big names in the US music industry, in order to get her more exposure on this side of the pond. Only time will tell, but having Flo-Rida in the song certainly bodes well for her potentially topping charts in the states at some point in the near future (not that Flo-Rida is in any way a draw to this song for me whatsoever).
Alright, ladies and gents, here is the first single from American Idol runner up, Adam Lambert’s debut album of the same name (which is out next Tuesday). While I do admit that I was skeptical at first (seems to be a theme today) of this track, I realized that for me, it was in large part due to the hype surrounding Adam’s impending debut. I was a major fan of him on the show, mainly, because love him or hate him, there is absolutely no denying that this guy has some major singing talent. However, the pressure that winning or coming in second on AI puts on that contestant’s first release after the show is staggering; and given history, unfortunately equally disappointing. There have been very few American Idol alums that have truly delivered for me, and as such, I was nervous about what Adam would do with his debut. After giving this track enough of a chance to allow the stink of over-hype to wear off, I will say that I am definitely more optimistic about Adam’s debut album; the track is a real grower, and really highlights his insane singing voice. We’ll have to see if the rest of the album delivers, but for now, I’m definitely more excited to see what he has in store for us on Tuesday.
I’ll admit, I don’t really like posting “big hits”; especially if they are in the top of the iTunes/Billboard charts. I enjoy focusing these 5SFs on stuff that people may not have heard before, or stuff that you might miss because its brilliance was (or would probably go on to be) vastly overlooked. There are notable exceptions (ahem, Lady GaGa’s Bad Romance last week), but for the most part, posting what’s burning up the charts (and the radio) isn’t the central point of these 5SFs. This may seem like a tangent, but I felt like I needed to clarify, because this is another notable exception; a song that I discovered because it was the top of the iTunes singles chart. I have heard of Lady Antebellum, but never really heard any of their music; mostly because I am not what I would consider a huge fan of country music. However, after seeing this song soar to the top of the singles chart, I had to least give it a listen, and least hear what it was about this track that made so many people want to buy it. After watching the video (ahem… the lead male singer is HOT), I instantly heard why it would jump to the top of that singles chart; this song is incredibly beautiful, the lyrics are eloquent, and the arrangement is masterfully crafted. I love the sweet and tender elements of this song, and I am glad that I gave it a listen; especially because of the fact that it’s unlikely I would have heard it otherwise. Sometimes, you find something at the top of the charts that you haven’t heard, and sometimes, it turns out to be wonderful; this is definitely one of those times.
I found out about this collaboration from my friend Gregor, when he posted a video for the song on 
It’s time for some well placed gushing ladies and gents! This song is completely, utterly, and fantastically amazing. This is the new single from Will’s upcoming release, The Hits, and it is definitely one of his best songs ever; how fitting that it would be recorded for his first greatest hits compilation. Will nearly took the top spot in 
I was torn about posting a Lady GaGa song this week (since by now, everyone and their mother is sure to have heard it), but given the video’s release this week, and how good this track is, I couldn’t ignore it. When I started talking about her, it didn’t seem like many people cared, but slowly, everyone seemed to come into the Haus of GaGa. A little over a year later, and she is a bona fide pop sensation that seems to somehow be picking up even MORE steam. As I hinted at above, this week, the internet has been all a flutter because of the release of her 
It should come as no surprise to my regular readers of the 5SF that I love British pop music, and after hearing this song in BBC Radio 1, I was reminded of just why I love it so much. This song is incredibly catchy, and the chorus will be stuck in your head for hours after hearing it. I only heard of JLS a few weeks ago; apparently, I missed out on their first single, Beat Again, when it was released a few months back. However, with the release of this new single (which is an official UK number one!) that coincided with the release of their self-titled debut last week, it seems that I couldn’t ignore them any longer. While the jury is still out on the rest of the album, this song is getting constant play on my ipod. This song reminds me A LOT of the great pop ballad-type anthems made popular by the Backstreet Boys back in their hay-day (I’m thinking of perhaps their biggest song, I Want It That Way). JLS may have come in second on last year’s X-Factor, but by the sound of things, they are doing quite well for themselves post-X-factor in 2009. 
This has been a good year for finding rock bands from the UK (Band of Skulls, Glasvegas and, White Lies to name a few). When I first heard this song, I thought it was Snow Patrol, because the lead singer’s vocals in this song have a very similar sound to the lead singer of Snow Patrol. To my surprise, it was actually Biffy Clyro (who’s lead singer is Scottish), who I have heard of, but I had actually never heard anything by before. My interest was peaked, because I have had some experience with Biffy Clyro, because the lead singer is a part of a side project called Marmaduke Duke; whom I posted about in a 
To say that I was excited for the release of the new album by The Swell Season would be quite an understatement. However, and somewhat unfortunately, the hype must have gotten to me, because I have had a difficult time really getting into it since it was released a few weeks ago. That being said, this song was an instant stand out, mostly because of the beautiful arrangement, and the intricacy with which they weave the melody throughout the chorus. The gentle guitar picking, and the beautiful deep bass, all overlain with the distorted keyboard, comes together to create something truly gorgeous. Add to that the sweet and sensitive vocals of Glen Handsard, and what’s not to love? Nothing, I tell you. This is definitely one of the best tracks off their new album; and perhaps shining some attention on it this week will motivate me to keep trying to get into the rest of Strict Joy (which is good, but I think I hyped it up so high that there was no way I wouldn’t be let down at least a little). 
Holy mother of drum & bass, Batman!! Seriously, if you are a fan of drum & bass, this may be your new anthem. The track is immensely beautiful in its execution. I haven’t followed drum & bass since I was in high school, so I was quite surprised when I heard a drum & bass song on the radio; although it was BBC Radio 1, which kind of makes sense (they play a lot of stuff that “mainstream radio” wouldn’t touch). Since hearing it, I have been clamoring to get this track so I could feature it on a 5SF; this song is HUGE. I especially love the elegant melody, beautiful vocal, sharp snare, and full bass; you really need to do yourself a favor and listen to it with a really good set of speakers, because the bass really commands the true grandness of this song. I had personally never heard of Chase & Status before hearing this, but I am all ears now; especially if they keep making music this brilliant.
I heard some buzz about these guys, and after noticing they were fellow beard enthusiasts, I looked (and listened) a little more at what they had to offer. After hearing this track, I have to say that I am glad that I gave their music a listen. This song is an excellent example of how simplicity and beauty in the arrangement, coupled with strong imagery and beautiful vocals can make for truly amazing music. I especially love the sincerity of the line that is the namesake of the song, Three words that became hard to say/I and love and you, and the way in which the singer delivers it. If for no other reason than that line, I LOVE this song; sometimes, an attention to detail is all it takes for me to fall head over heels with something, and that has certainly happened in this case. 
What can I say; I’m a sucker for a beautiful man with a beautiful voice. I have posted a few songs from Matt Alber’s debut, Monarch, in the past, and just this week, I stumbled back onto his album, and I couldn’t resist posting about him again. The tonal quality of his voice literally makes me weak in the knees, and the delicate way in which he weaves in and out of those harmonies is magical. I have my hopes that there will be a new album from Matt very soon. As I said in the past, his debut was kind of a conflict for me, because there are some AMAZING songs on it, but there are more than a couple filler tracks that really drug it down. That being said, when you go back and listen to the stand out numbers, those tracks show a level of talent and an beacon of extremely great promise from this out gay artist. When he nails it, he does so beautifully and effortlessly; and boy does he nail it with this song. 
Here’s another blast from the not-so-distant past; Melee’s amazing debut album, Devils and Angels made my top ten of 2007, 
This is the song that almost got away. You may recall, that quite some time ago, I had a revival of 90’s songs that I loved back in the day, and I never managed to rediscover all of them due to how much time had passed, and the fading of distant memories. I remember loving this song imensely when I was in high school, and I could vaguely remember that there was a pin up girl on the cover, but I could never remember the name or any of the words of the song. That drove me crazy. I had all but given up finding this elusive track, when this past week, James and I were out to dinner, and it started playing in the restaurant. I couldn’t believe it! Suddenly, it all came rushing back, and I downloaded this great song as soon as I got home. I couldn’t resist posting this today, because re-finding this song was just too perfect not to share. I just love how random life can be sometimes!
I know that I was gushing about how Lose Control was the best song on the new album by the Saturdays, and while it is AMAZING, I think I might have been wrong. THIS is the best song their new album. It is amazing. It evokes the same feeling of another amazing track, No Air, and has me breathless after each listen. I still cannot get over how amazing their sophomore album is; it is even better that their debut (which was stellar, btw). The Saturdays have made some brilliant pop, and this is sitting pretty atop the rest right now; this song is epic, and totally beautiful. I am PRAYING that they release this as a single, because there is no way that it wouldn’t be number one. Seriously, this song is EPIC. BRILLIANT. AMAZING. LOTS OF WORDS IN ALL CAPITAL LETTERS. This record is amazing, and I can’t seem to say it enough.
WARNING: This song says fuck in it like 65 times; you have been warned. I opted not to go for the radio-friendly version, because I love the tenacity with which she screams fuck in each threatening line of the chorus. This song is a total guilty pleasure, one that uses an arrangement that borrows heavily from Soft Cell’s Tainted Love; but it is almost as if she borrowed the arrangement from Rihanna’s SOS, which borrowed its arrangement from Soft Cell. Interesting. The result is a great back beat with a fierce song about fucking up a bitch who comes after your man. Don’t fuck with Kaci; she’ll cut a bitch!
GUILTY PLEASURE ALERT: I resisted the shit out of this song. No way was I going to concede and like someone who thought it was cute to spell her name with a dollar sign in it. However, far too many of you suggested this song to me to ignore it any longer; and what better time to post it during Pride weekend. This song is a true banger, and I am sure that it will be loved by gay boys all over; including this one. Yes ladies and gents, I give in. I love this ghetto fabulous track by Miss Kesha… I’m sorry, I mean Ke$ha. Ugh, I still don’t like that, though. Also, what the hell is up with the line, Now, the dudes are lining up cause they hear we got swagger/But we kick em to the curb unless they look like Mick Jagger? Someone needs to let this little cutie know that she can do better than guys that look like tired old Mick. I’m just saying; Ke$ha, don’t sell yourself short, doll.
LOOK! IT’S THE GAYEST VERSION OF JUST DANCE SINCE JUST DANCE! Seriously, I tried really hard not to like this complete rip on Lady GaGa’s amazing first single, Just Dance, but I just couldn’t resist. Cascada has danced her way into my heart again, and I just can’t resist any longer. Yes, this song is pretty much a spot on remake of Just Dance; it follows the exact same formula that Lady GaGa perfected with Just Dance. However, isn’t imitation the sincerest form of flattery? If that’s the case, Cascada LOVES her some Lady GaGa, and she made this little homage so we could all get out on the floor and keep the dance party going. I have been playing this one for a few months now, probably way more often than I should, and I thought it was perfect for a Pride 5SF, so here it is. You win again, Cascada! Gays rejoice! Dance music for the masses!!
Oh how much I love Lisa Scott-Lee; let me count the ways… a song consisting of nothing but hyper sexual double entendres, the fact that she was in the amazing pop super group Steps, and 
I have been known to gush incessantly about some songs, but I try my best to reserve that for those that I am totally and utterly blow away by. Well, ladies and gents, this is one of those songs, and I am going to nothing short of tell everyone I know about this one. This song is immensely beautiful, and the arrangement is perfect. It is so good that I have to admit that I was actually kind of surprised by it. While I really liked their last album, this towers so high over anything they have done so far, that there really is no way that it wouldn’t take a fan even more diehard than myself by surprise. Don’t get me wrong, this is not a dig in any way to their previous work; they have some brilliant and amazing stuff out there already, but this song hits like the ultimate crescendo. Jared Leto’s voice soars alongside the building riffs and sends chills up my spine when he hits those high notes and sustains them so pitch perfectly. This takes everything they have done before and perfects it. I can’t heap enough praise on this track, and I cannot wait until their new album comes out; because if it is anything like this, it is going to be utterly brilliant. Simply put: AMAZING. 
I had a bit of a twitter/facebook snafu yesterday when I proclaimed my love for this song; when I accidentally said I liked Robin Williams’ Bodies. Well, let’s clear that up; THIS is the Bodies that I am heaping my praise on (well, I wouldn’t mind heaping some praise on Robbie Williams’ (not Robin Williams) actual body, but that is topic for another time and another place). Overall, whenever Robbie releases a new single, I always want to like it, and sometimes I do, but when I first heard Bodies, I didn’t. I think it was the hard distortion sound that accompanies the beat that turned me off at first. However, I have heard it a few times, and now I see how wrong I was; this song is beautiful and I actually love the hard distortion completely now! I realize now that I didn’t give it the chance that it so rightly deserves. This song is catchy, the arrangement is excellent, and Robbie’s voice is as beautiful as ever. 
Some of you probably wonder why in the hell I would be posting a Spanish song, but trust me, this song took me by much more surprise than you could possibly have for me featuring it. I have had a love hate relationship with Nelly Furtado; mostly, I LOVE all of her older stuff that I felt was more “her style”, and I practically HATE everything she did with Timbaland. I remember when Promiscuous came out, and I really liked it at first. However, that quickly turned to disdain, because with each subsequent single, I felt the Nelly I instantly fell in love with back in 2001 with I’m Like a Bird was completely gone. That troubled me, and as such, I kind of started ignoring her. It wasn’t until I saw the video (
Even though I am a fan of American Idol, I can’t say that there are many of those kids that I avidly kept following after they left the show. Katharine McPhee is one of the notable exceptions. After delivering an amazing, if not totally ignored (
Britney’s lastest single, the total earworm 3 will in fact 
I posted about this amazing track on the 5SF a few weeks ago, and I have been loving it more and more with each listen. In order to celebrate the release of their new album, 
in the US today, I really wanted to shine some more light on this song, because I love it so much. The arrangement is interwoven quite delicately with many layers, and the lyrics are comforting, like a warm blanket on a cold day. I find myself listening to this one over and over and, each time I do, I truly appreciate how magnificent it is. I absolutely love stumbling on amazing music like this, and can’t wait to share it with anyone who will listen. Take another listen to Noah and the Whale’s Blue Skies, the song of the day for today; I am sure that you will love it as much as I do (if you don’t already).
— as of posting this, the song is free, so you should hurry over and get this gem while the deal lasts!! 
It is with great excitement that I bring you the BRAND NEW single from Hellogoodbye!! When We First Met marks a triumphant return to producing great pop for Hellogoodbye, and if this is any indication as to what we can expect from their next release, my longing for new material from them might have been worth the wait. I have been a fan of Hellogoodbye ever since I fell in love with their full length debut, Monsters! Aliens! Dinosaurs! Vampires! way back in 2006 (!!!). Then, after seeing them in concert, I fell even more head over heels for them, and have been clamoring for the chance to get some new music from these guys; and (not that it’s a bad thing, I just want a new album!) all I’ve gotten (until this week) was a re-issue of MADV with some extra tracks. While this track is a little less “electro-pop” than most of their debut, it shows them moving in a great direction (channeling their softer, sweeter side they showed on Oh, It’s Love), and I, for one, find myself even more excited for a new album from this bunch. You can get a copy of the When We First Met mini EP by signing up at their 
I have featured songs on the 5SF before that I heard playing in the background of a show before, and this is one of those tracks. Those of you that watched the season premiere of Dollhouse will probably recognize this one; it was played during the first 10 or so minutes of the season premiere, and I loved it so much I had to have it. Luckily, a quick google search of the lyrics, and I was in business. I love the lyrics, and the delicate arrangement. When I first heard it, I knew there was something familiar about the song, and when I found it, I discovered that the male vocal was none other than William Fitzsimmons (who I found randomly not so long ago as well)! The final bridge/chorus where their voices intertwine and harmonize is fucking unbelievably beautiful. I am glad that the music producers of the show chose it, and I am glad that I could hunt it down and share it with you guys as one of today’s selected tracks. 
When I heard that Newton had released a new album, Rebuilt by Humans, the follow up to his Hand Built By Robots, I’ll be honest, I wasn’t terribly interested. While I really fell in love with Dream Catch Me, the major single from HBBR, it took me a while to get into it, but when I did, I was hooked. However, that interest eventually fizzled, when the rest of the album didn’t really gel for me. Well, one of you guys (thanks 
I will be totally honest, and get this out of the way right up front; I have been sitting on this one for a while now. While I loved this song the first time I heard it, I could only get my hands on a boot-leg, low quality version of it; but that all changed this week. Now that I’ve got the goods, I am more than happy to get the word out about the new amazing single from this Danish sensation; who previously filled me with shrieks of delight when I heard their amazing single, Fascination. While their entire debut album, This is Alphabeat, never really struck as strong of a chord with me as Fascination did, I never turned my attention completely away from these guys, as I knew they were capable of repeating that greatness again. With The Spell, they have totally captivated my attention once again with an extremely strong, catchy single, and I can only hope that the second time is the charm for me with Alphabeat. In the meantime, I can’t stop dancing around to this wonderful track.
Yes, you are reading that right: I am featuring a song by Third Eye Blind, and no, it isn’t 1997! Most people probably think of the late nineties when they think of Third Eye Blind, because that was when they had the most success with radio mainstays Semi-Charmed Kind of Life, How’s It Going To Be, and Jumper. I randomly noticed they had released a new album recently, when I stumbled onto the stop-motiontastic video for Don’t Believe A Word. While the song didn’t fully draw me in initially, there was something about it that I really liked, and as such, I downloaded it. After a few listens, I realized it was the amazing riff that they utilize during the chorus that I loved. I always really liked his voice, and the song overall has proven to be quite the earworm. If you don’t count the part where he screams “you whore I’ll fucking kill you” right before the first chorus, I would venture a guess that Third Eye Blind could have another mainstream hit on their hands; more than 10 years after their successful debut. 