Today, I’m just winding down what has been a pretty uneventful spring break, but I can’t wait to bring these songs to you. There are some MASSIVE tracks that I have been playing on repeat for a while now, and I cannot wait for you to hear them. Let’s get started.
Goldfrapp – Rocket
While I fell deeply in love with Goldfrapp’s previous, very subdued album, I will admit that the gay boy inside me squealed with delight when I heard this first single of of their upcoming album, Head First (out March 22). EVERYTHING about this song is massive. It is a balls to the wall dance track that has me tapping my toes as I sit and write this. This song is another shining example of the true artistry and innovative nature of Goldfrapp; they are unexpected, and always come to the table with their A game. If this is any indication of what the rest of the album will sound like, it is going to be like Goldfrapp have proven themselves to be time and time again; massive. I seriously cannot hear this song enough right now; it is on major repeat!!
Kate Nash – Do Wah Doo
While I was extremely excited to see that my beloved Kate Nash has a new album coming out next month (My Best Friend Is You, April 19), I will admit that I didn’t LOVE this first single the first time I heard it. Kate came to my attention back in 2007, when her debut album ended up nabbing the number 3 spot on my year end countdown, with its quirky and downright amazing songs. I managed to see Kate in concert, and my love for her only grew, so naturally, to say that was anxious about her next move is a bit of an understatement. Now, as I said before, I didn’t love this track instantly, perhaps because it is a bit different from her previous stuff, but after a few listens, I can definitely hear the Kate that I fell so deeply in love in there. Each new listen has me more and more excited about her upcoming release, which I am sure will show just as much growth and energy as this track; which by the way, I now definitely love.
Erik Hassle – Amelia
It is with extreme joy and jubilation that I can say that the much talked about (at least by me last year) Swedish pop phenom, Erik Hassle FINALLY sees a proper release of his debut (now titled Pieces) this week. This album is PACKED to the brim with single-worthy tracks, and I was more than pleased to see this “hidden track” surface as a “real” track on this go-round. This is definitely an album that you will hear about this year folks, because all of the hype surrounding this guy last year was the real deal, and now that he has a proper album released to back it up, I expect more and more Erik in all of our lives. (You’ll most likely see it amongst my albums of the year as well, just a heads up).
Amy MacDonald – Don’t Tell Me That It’s Over
This is one song that came and slapped me right across the face and demanded that I pay attention to it. I discovered Amy a while back, and even featured one of her songs on the 5SF in the past, but for some reason, I never really gelled with her music other than a couple of songs. Well, I noticed that she had a new CD coming out this week, and I thought I would at least see what she was up to this time around, and I am more than glad that I did; this song is EPIC!! If there is any justice for this BEAUTIFUL Scottish lass, this sophomore album will catapult her to even more fame, because this single is amazing, and should get lots of radio play. I’m sorry I ignored you in the past, Amy, I am all ears now; and I promise not to tell you that it’s over, because you are right, it has only just begun!!
JLS – One Shot
JLS is also one of those bands that I have posted about on the 5SF in the past, when I discovered their amazing single (and now starting to make waves in the US!) Everybody In Love on BBC Radio 1. Well, I have the BBC to thank again for playing this track, because this new single is just as amazing; these guys are definitely doing something right. This is the type of feel good pop that really deserves to be blasted on the radio, and just enjoyed for what it is; really well-produced pop music. It’s funny that this song is called One Shot, because it certainly got a second chance from me, and has me thinking that I need to keep my eyes (and ears) out for more goodness from JLS.
Well, I hope that you enjoyed this week’s picks, and please, let me know what you thought in the comments. Also, be sure to tell me what you are listening to; I am ALWAYS on the look out for great music!
I’ve written many times before that I am not that big of a country music fan, but I am a sucker for great music; whether it is country or not. Before the Grammy’s, I had heard of Zac Brown Band, but I hadn’t heard any of their music. After seeing them perform live on the Grammy’s, and after getting chills by their amazing performance, I decided it was time to check these boys out; and I am glad that I did. While most of their songs are a bit too blue-grass twinged for me, this song instantly stood out and has since taken me completely over. I cannot get enough of this evocative song, filled to the brim with emotive lyrics and sweet sincerity in the vocals. Add to that the truly moving fiddle, and the wonderful arrangement, and you have an amazing song, and Jolene is just that; a truly amazing song. While I may not love it all, I can definitely say that Jolene has definitely made me a fan of the Zac Brown Band. 
I first heard this one on BBC Radio 1, and it is yet another reminder of why BBC Radio 1 is such a great place to hear great music I probably wouldn’t have heard anywhere else. This Mancunian band has taken me by storm for the past few weeks with this insanely catchy song. While the Courteeners share similarities with other great British bands like White Lies and Kaiser Chiefs, these guys are certainly contributing their own welcome addition to the British alternative pop-rock scene with this great new single. I found it funny, that after they played this that first time I heard it on BBC Radio 1, that people were texting in asking if it was called “You Own a Denim Dog”, because that is what it sounds like he is singing in the chorus. I love misheard lyrics, and that one is actually pretty spot on!
Speaking of insanely catchy songs, after seeing the cute video for this song (and clapping along at the appropriate sections), I immediately made a note to go and download this great track. Lead singer Tyler Green has a similar tonal quality to his voice as Rufus Wainwright, which I find surprisingly refreshing, as this is definitely more upbeat and energetic than most of Wainwright’s (also amazing) work. Overall, this is a perfect song to get ready for the warmer months, and is a welcome early addition to my soundtrack for spring. This is also one of those songs that really grabs you initially, but doesn’t stop there; it continually digs in and only grows on you more and more with each listen. 
My friend 
I heard this while watching (500) Days of Summer a couple of weeks ago, and while I wasn’t blown away by the movie, I did love this song, and made a note to download it after the movie was over. I will say about the film (and all films/tv shows/etc for that matter), that I absolutely love when a director (or music editor? well, whoever picks the songs, anyway) knows how to incorporate the perfect backing music for a scene; and in this case, they totally hit the nail on the head. This song beautifully framed the scenes it was used in, and obviously, captivated my attention enough for me to download it after seeing the movie. I almost hate to say it but this song would be a perfect commercial song, because of how well it flows as background music; but with that being said, that doesn’t in any way speak to the quality of this song. It is a great song that I am glad to have stumbled upon; even if it was just playing in the background.
First up today, is the new single Hollywood from Marina and the Diamonds. I fell instantly in love with Marina back in 2009 with her MASSIVE single, I Am Not A Robot, which I still play over and over. I have been waiting for Marina to release a proper full length album, and it seems my wishes will be fulfilled later this month. With Hollywood being the first taste of what to expect, my guess is Marina’s upcoming debut, The Family Jewels, will find itself amongst my favorite albums of 2010. This song is on constant repeat in my car, and it really does seem that I cannot get enough of Marina and the Diamonds. Living in the movie scene/puking American dreams; YES!!
If this song comes on, and I am on the dance floor, my advice to you is to back the fuck up, because I am about to break this motherfucker down. Seriously, I first heard this track after my buddy Stu turned me on to it, and now it is a MUST request every time we go dancing at Mary’s. This jam has such a fresh and infectious dance groove, and it really gets me moving, and makes me want to dance my legs off. This is one of those songs that I have been enjoying for a little while now, and I have been antsy waiting to get the word out to all of you; finally, the Kid Sister love is out there!! I want to go out, stack money, and drink all night with this bad ass lady!
From their upcoming (?) album, The Spell, this track is one of those songs that is such a wonderful reminder of the great dance pop of the 90s. Just like the Kid Sister track above, this song is one of those songs that every single time it comes on, I find myself dancing like a maniac, and loving every second of it. I love everything about this song, and it is one that I have definitely been playing on repeat. Note: that while the player does say that this song is called Hole In My Heart, it is definitely mislabelled, because the song that plays in the above player is definitely DJ. To me, this is the best song Alphabeat has made to date!
This song kind of came out of nowhere for me; and I loved it the first time I heard it. The power riffs, killer vocals, and the well-written kiss off lyrics are just too good to ignore. While the Guitar Hero-esque video is a bit weird, I have to say, that it is refreshing to see a girl that can really wail on the guitar like Orianthi can, and I love the way she melds the metal guitar with pure, unadulterated pop music. This song should be getting a lot of radio play very soon as more and more people catch on to this infectious little song. 
While I was sad that Ellipse didn’t resonate with me in the way that her previous album did, I re-discovered this amazing track when I heard it in the background on one of my regular shows (I think it was Chuck). After hearing it again, I went back and spent some more time with this song, and I have to say, that I completely love it, and I am glad that I was able to re-discover its brilliance. I love the song’s inherent sweetness, and the multi-layered melodies that Imogen is so good at weaving together. Sometimes, I find songs on albums that I put down too soon, and this is a wonderful example of that happening. 
Featured in the very first 5SF of the year, A Camp’s Stronger than Jesus was the song that I had been literally waiting on for years, and a song that would map out what I could expect from what turned out to be my favorite album of 2009. When I say I waited for it for years, what I mean, is that I was so hungry for something new from A Camp after falling so hard for their amazing self-titled debut album (which came out waaaaay back in 2001!), that I just couldn’t believe that my dream was coming true so early on in 2009; and what a wonderful dream it would turn out to be. The release of Colonia was like being embraced by a warm hug from a long-lost friend, or like snuggling under your favorite blanket on a cold winter’s day; it just feels good from beginning to end. Nina Persson is one of my all time favorite female vocalists and musicians, and what started out as a side project during hiatus time with the Cardigans, has clearly grown into something mature and amazing. Together with her husband and their fellow bandmate, A Camp has become something of a phenomenon for me, capturing my attention wholly and completely with their work. Their song writing ability is powerful and the imagery invoked is powerful. I knew very, very early on that it was going to take a lot to beat out this album for my top spot in 2009, and as you can clearly see, nothing did. For me, this is an album that should be talked about much more than it was/is, which is certainly a shame, because it is fantastic from beginning to end. There isn’t a single place where this album isn’t wonderful, and I am just so pleased that it turned out to be such a wonderful effort from A Camp; one that surprised me in how easily it surpasses the brilliance of their debut. While one of my favorite bands of all time, The Cardigans, may be on (seemingly indefinite) hiatus, I take comfort and joy in knowing that lead singer Nina Persson and A Camp soldier on, and are bringing me some of the best indie-pop music out there today. A Camp, please don’t wait so long to bring your brilliance to the table again, because after this incredible and delicious taste, it would just be cruel to leave us for so long again. Simply put; this album is incredibly amazing. Standout Tracks: Bear On The Beach, 
I have to say one thing first about Antony and the Johnsons before I get into their amazing album The Crying Light; you will either fall head over heels in love with them, or you will probably hate them completely. I will openly admit that I started off in the hate column with regards to Antony and the Johnsons, because honestly, I don’t think that I truly got it. It was curiosity that brought me to them, because of how many people were talking about them; but it took several listens to their previous album, I Am a Bird Now, before something changed within me, and I found myself strongly in the love column forevermore. I gave myself over to the truly emotive and fragile nature that is Antony and the Johnsons, and the process, I found something so nuanced and beautiful that I am thankful I allowed myself to enjoy it. With regards to their newest release, The Crying Light, I can say, with unwavering conviction that this album is purely, and utterly, perfect. From the amazingly vivid lyrics, to the achingly beautiful performances (both vocally and musically), there really isn’t anything that you could say negatively about this album; well, perhaps nothing other than it just isn’t long enough, because I just don’t want it to end. Listen after listen, I took in each tender, well crafted experience that each song created, and I found that this is definitely one of those albums that could be labeled as a true classic at some point in the future. This is how music SHOULD be made. It surprised me the first time I heard this album, because of just how amazing it really is. Another World, the pinnacle of the album, came in a first taste on the EP of the same name, and truly is an epic masterpiece of music. The rest of the album compliments it, and even builds upon its foundation of beauty, making this easily one of the best albums I heard in 2009. With The Crying Light, Antony and the Johnsons have honestly moved me with their music (and continue to do so with each listen); and that’s powerful stuff indeed. Standout Tracks: 
I will admit that in the beginning, I had a love/hate relationship with the Gossip. I wanted to love everything that they did, and I hated myself because I didn’t. It wasn’t until I saw the amazing live performance of Standing In The Way of Control that I got what Gossip was all about. Beth Ditto’s incredible vocals, backed by the emotive and hard hitting rock and roll sounds of the Gossip literally had me shaking my head, wondering why in the hell it took me so long to get on board; but it wasn’t until Music For Men that I totally committed to the power of the Gossip. With this album, they channeled Beth Ditto’s iconic vocals onto track after track of well polished, down and dirty, and masterful rock and roll. It’s hard to imagine that these guys aren’t having a good time while they make music like this, because when I hear it, it makes want to get up and dance until my legs fall off. When I listen to this album, I want to fucking ROCK. Overall, this album captured me, threw me in the trunk, and refused to release ransom demands, because there was no way it was going to let me go; and I am glad that it didn’t. This album made a huge splash with me in 2009, and it is one that continues to grow on me more and more with each listen; I literally, just cannot get enough of the Gossip’s Music For Men. Standout Tracks: Pop Goes the World, 8th Wonder, 
This was definitely “from out of left field” album discoveries for me. I was looking through recently released stuff on iTunes, and this crazy cover captured my attention, so I figured I’d give it a listen; and boy, I am glad I did. Miike Snow is comprised of Swedish MEGA producers Bloodshy and Avant (they did Britney’s Toxic, for one), along with American Andrew Wyatt; and together, I can definitely say, that they made one of the most brilliant albums of 2009. Slick production, catchy rhythms, and danceable beats made this one of my most enjoyable finds early on in 2009; and one that was so consistently good, that it stayed with me throughout the rest of the year. Miike Snow’s self titled debut is one of those albums that I was screaming about early on, and after a while it seemed like everyone started catching on to how amazing the album truly is. There truly isn’t a bad song on the album, and save one track (the more downtrodden Sylvia), I can say that I truly love every track on this record. This is a truly impressive debut album, but it should be no surprise; especially when you consider what these guys brought to the table to begin with. Standout Tracks: 
While their first single lacked the oomph I was was looking for, and did give me quick worry that it was a lackluster sign of what would be too quick of a follow up to their impressive debut, it did manage to grow on me quite quickly. As it grew on me, my anticipation for the forthcoming album grew, and it would be what followed the opening track that would be nothing short of pop perfection; Here Standing is hands down, one of the best songs of not only 2009, but one of the best pop songs I have heard in many, many years. Thankfully, it doesn’t stop there; as the album goes on, track after track, the pure, deliciousness of well made pop songs just keep coming. Even though it initially seemed that they had churned out another album “too soon”, what happened instead, was the Saturdays moved in and took the spot left open by Girls Aloud and the now defunct Sugababes; and in doing so they have taken the reigns of girl-group pop, and driven us to the next level. This album is FULL of singles, and it is was definitely a welcome addition to my music collection for 2009. While this is an album that I fully expect to see many more singles from, and one that (if given the proper chance), COULD be a possible crossover to the US for them, sadly, it will probably not happen as has been the case for most that have come before The Saturdays. However, it does make me feel better, that at least I was able to discover this gem, and share my glee and sheer delight for the Saturdays’ amazing contribution to pop music with Wordshaker, because pop music this good shouldn’t be missed; and if you stick with me, I will do my best to spread the word to all of you. If this album is any signal as to where the Saturdays are headed next, I think we can safely say that we should have known all along, because they told us back with their second single; they were going UP! Standout Tracks: 
Silversun Pickups really remind me of high school a lot, in that their music reminds me of the way that I felt when I first truly knew that I loved music. Much like the way early Smashing Pumpkins got me into alternative rock, the Silversun Pickups picked up that torch and keep the race going for me when I first heard their insanely good debut, Carnavas. Naturally, when I found out they were releasing a new album last year, I was bouncing around with excitement, and after hearing Swoon, I have to say, that Silversun Pickups really outdid themselves with this album. From the insane distortion-love-fest that is There’s No Secrets This Year (which, in my opinion, may be their best song to date), to the incredible lead single, Panic Switch, and throughout the rest of Swoon, Silversun Pickups proved that they were not going to settle for a sophomore slump; in fact, I more than happy to proclaim that Swoon soars above their debut. While I don’t really understand the ways in which they chose people for the “best new artist” category for the Grammys (for which Swoon got them nominated), it doesn’t surprise me in the least the Swoon managed to get Silversun Pickups on a lot of people’s radar this year, because this truly amazing band is making some fantastic music that MUST be heard, shared, and enjoyed. This is one of those albums that is perfect to put on when you are driving around, and want to just rock out; and that is just what I did many, many times last year (and continue to do now!). I am so glad that Swoon turned out to be as amazing of an album as it is, because it really builds on the taste that Cavarnas alluded to, and just how amazing and talented the Silversun Pickups turned out to be. Standout Tracks: There’s No Secrets This Year, 
What can I say about Mat Kearney other than he’s just simply wonderful? After falling pretty much head over heels for him with his “debut” (I use quotations, because it was more aptly described as his major label debut) Nothing Left To Lose, I was more than excited when I found out he would finally be releasing a follow up earlier last year. When I heard the lead single, Closer to Love, I became even more excited for the album, because it is definitely one of his best songs to date. When I finally got City of Black and White, I realized that it was worth the wait; Mat has grown as an artist, and taken something that he did so well before, and transformed it into something simply amazing on this new CD. From his heartfelt vocals, sweet rhythms, and rhymes woven throughout each track, and the way in which he melds rock and roll with a twinge of hip hop, City of Black and White is a truly wonderful collection of songs that show just how talented of a musician Mat really is. The cherry on top for me, was seeing Mat live again last year, and as he was the first time I saw him, he was practically flawless. This is one of those musicians that I will always be on the lookout for, because of just how consistently amazing his music has proven to be; with this most recent release being certainly no exception. Standout Tracks: 
This album’s lead single was certainly an appropriately titled track; Bomb in a Birdcage was certainly one that would blow me away in 2009. I never really gelled with A Fine Frenzy’s first album, but once I gained a true appreciation of the aforementioned lead singleBlow Away, something told me to pay closer attention to her upcoming release. What I found, was an amazing album that captured my attention like she had never done before, and I found myself loving this album so much more than I was expecting. From beginning to end, A Fine Frenzy has created a beautiful, upbeat, catchy, and down right amazing pop album; one that I just can’t seem to get enough listens of. If you have been reading this blog for any amount of time, you should know by now that I am a sucker for a female piano-driven pop artist, and Allison Sudol (aka A Fine Frenzy) has solidified herself as one of my favorites with the release of the amazing Bomb in a Birdcage. The songs are so well written, both lyrically as well as the layered and beautiful arrangements, and I with each new listen, I actually find something new in each track that makes me love it more. There isn’t a misstep in sight with this album, which is fantastic from beginning to end. I am glad that I sat up and paid more attention this time around, because missing out on this album would certainly be a tragedy. I really can’t say it enough: A Fine Frenzy’s Bomb in a Birdcage is magnificent and it will blow you away, just like it did to me! Standout Tracks: Swan Song, 
So if there was any doubt in the lead up to Lady GaGa taking the throne as the next big thing in pop music, she pretty much put the death nell in that notion with the release of The Fame Monster. While it started out as only an 8 track “addendum” to her debut album released in 2008 year, The Fame, GaGa fought the music moguls and won the right to have The Fame Monster released as a separate album in 2009 (along with it being packaged with The Fame in the deluxe edition). However, regardless if it was an add on or not isn’t an issue, as with Monster, GaGa takes her innovative brand of pop and pushes it to the next level. From the insanely catchy, RA-RA’s of Bad Romance, all of the way through to the innovatively amazing album closer Teeth, GaGa just shows that not only is she not going away any time soon, but she plans to up the ante while she’s got our attention. On this album, I feel like GaGa has shared a lot more of herself; giving more raw performances with each track, matching her live show much more closely than ever before. Speaking of the album’s lead single, Bad Romance, GaGa also upped the ante on her equally innovative performance art, and released what many will agree was the one of the best music videos of the decade. Certainly she must be tired, because based on the consistent quality of her trail blazing take on the pop music scene, GaGa is only setting the bar higher and higher for her pop peers and herself; and she doesn’t appear to be slowing down any time soon. For me, The Fame Monster solidifies GaGa as one of the biggest (and best) things to happen to pop music in over a decade; and if this is any indication of the future, I expect to see a lot more GaGa, and I can’t wait. Standout Tracks: 
The first time I heard the MASSIVE single Sleepyhead, I was instantly sitting there wondering to myself just where in the hell this amazingness came from. There have been tons of indie pop groups out there shovelling similar stuff down our throats for years, but never had I heard something as catchy as the amazing Sleepyhead. Well, several months later, they released the follow up track, The Reeling, which would be the lead single for their proper first album, Manners, to be released early in 2009. Needless to say, I realized I had stumbled very early on to something amazing, and I just couldn’t wait to get my hands on the then upcoming Passion Pit debut album. When Manners finally came out, what I got was nothing short of fantastic, and I instantly fell for this amazing indie-pop concoction. While Sleepyhead is still my favorite, there are many tracks on the album that make me wonder why these guys are more popular than they are; they really know what they are doing, and have made a pretty fucking amazing debut album. I am so glad that I found this one in 2009; it really deserves to be on a shitload of best of 2009 lists, and I know that I would have been kicking myself if I had missed out on this gem (and thankfully, I didn’t!). Standout Tracks: 
William Fitzsimmons falls into a category of artists that I have randomly discovered by beard; that is, I saw a picture of the artist (who has a beard), and thought to myself, “hmm… I must check this guy out” (because, well, I love a guy with a beard). Well, as with many other artists I have discovered by the way of the beard, I am glad that I did check William’s music out, because it is incredible. Much like fellow album favorite list member, Hayden, William is an amazing folk musician. William is decidedly more delicate and more quiet and relaxed than most of his folk peers, but the result is an album filled to the brim with delicate and intricately crafted songs about love, longing, and loss; all of which completely captured my ears and my heart. He also does incredibly right by pairing his beautiful voice with female vocals on the track I Don’t Feel It Anymore (Song of the Sparrow), making it one of my favorites on the album (William has a habit of pairing with great female vocalists; he paired Rosi Golan on her amazing track Hazy, from her (also amazing) album The Drifter and the Gypsy). Overall, if I could describe this album with three words, they would be tender, heartfelt, and beautiful. William may have drawn my attention initially with his looks and his beard, but he captured my heart with his beautiful music. This album is a collection of truly perfect folk songs; songs that are delightful, and peacefully wonderful to listen to. Standout Tracks: Please Forgive Me (Song of the Crow), Maybe Be Alright,
Definitely one of the more “out there” choices on my favorites list this year, Bat For Lashes certainly backs up her status as an alternative artist. She does her best to throw out anything formulaic and embraces the strange and unusual (to quote 
Finding this album was one of those incredibly rare times when you stumble so blindly on something so beautiful, well made, and down right amazing, that you almost can’t believe that you found it the way you did. Specifically, it was the beautiful album art that drew my attention, but after one listen, it was the music behind that cover that really blew me away. To say that I wasn’t prepared for what Taller Children held upon my first listen is a major understatement. Elizabeth and the Catapult have mastered the realm of pop music that is perhaps my most favorite (the piano-driven singer-songwriter side), and in making this album, have given me a new group to seek out and cling to each thing that they offer from this moment on. From delicate, and expertly crafted perfection of songs like Apathy, to incredibly delightful upbeat melodies and downright dancehall fun of songs like Complimentary Me and Race You, Taller Children is a journey through what I consider to be the best thing about music. The album is a delightful listen from beginning to end, and nary a misstep occurs from the moment they begin. What’s also great about this fantastic record, is that it actually picks up steam, and manages to get better on through till the end. This album was a massive find in 2009, and one that I won’t be putting away any time soon. In fact, one of my biggest regrets of 2009 was missing their concert; I hope that I can remedy this misstep in 2010. Standout Tracks: Apathy, 
While I will admit that this album didn’t resonate quite as strongly with me as his previous effort (and 
As much as I loved Lily’s wonderful debut, Alright Still, I had a bit of worry about her follow up the first time I heard the lead single, The Fear. While I really liked it, I felt it was a more electronic, and decidedly more dance-y direction for her to take, and I while I did like it, I was worried Lily may have lost her edge. Well, my fear (ha!) was quickly quelled once I had a proper listen of the whole album, as what I heard was classic Lily, and quite fantastic throughout. The jaded lyrics, sung by her sweet voice, mixed with delightful melodies and arrangements made this a great album I definitely enjoyed through most of 2009. While she certainly took some different directions with this album, and relied on familiar melodies and several of the sounds of the music of yesterday (the intro to Fuck You is practically note for note the Carpenters (They Long To Be) Close To You), I think that she was able to put enough of a fresh spin on each track that she made it her own. Perhaps most of all, I have to applaud the fact that Lily always tells it like it is, and whether she’s condemning a less-than-there lover, or slamming a horrible previous US president, one thing is for sure; she certainly knows her way around a clever lyric, and is no stranger to delivering her delightful brand of vicious wit without batting an eyelash. I will note, that it is practically criminal that she didn’t include the amazing B-side Fag Hag on this album, as it would have clearly been the biggest standout favorite for me. Standout Tracks: He Wasn’t There, Chinese, 
Using jangly guitars, banging beats, and sounding like a well-made mash-up of Chrissie Hynde and the White Stripes, Band of Skulls take heavy influences from classic rock and completely rock out on this fantastic album. Perhaps it is the pairing of the male and female vocals that really draws me in, because I never got into the White Stripes, as the musical formula is very similar; at least, the distortion effect on their guitars is really close to the one Jack White uses, and they also use heavy drumming to back up the whole shebang. That being said, while they do stick to a similar musical formula as the White Stripes, I think that Band of Skulls have made their own consistently amazing album with Baby Darling Doll Face Honey, as there really isn’t a bad track on it; and when I say, “not a bad track”, I really mean, “they’re all quite brilliant, actually”. After one listen, I went back time and time again to rock out to this fantastic ode to classic rock (as well as clear hat tip to the White Stripes), and I am glad I discovered them through their amazingly catchy lead off single, I Know Where I Am; which is definitely one of their best. Looking back, I am really glad that I went and listened to the whole album, because like the lead single, it too, is down right great. Standout Tracks: 
On her follow up the to the amazing album, The Story, Brandi does right by not deviating from the folk-country rock that she creates oh so well. However, this time around, she ups the ante, and instead of sputtering out after the half-way mark (as I felt her last album kind of did), she stays strong throughout the entire album. On Give Up The Ghost, Brandi’s vocals are more raw and real, and the yodel of her voice is more pronounced and peppered throughout. Overall, this album is a solid one, and Brandi has proven to be quite the talented musician; she is certainly building something more and more beautiful on that foundation she laid with her previous two albums. This time around, she distances herself from those that she could be so directly to in the past (namely, the Indigo Girls); showing growth and attention to a nuanced detail that really signals that she is coming into her own. With this distancing, she highlights her own strength and individuality as an artist, and the result is a wonderful album that should definitely win her many, many new fans; and die hard fans of her previous work should certainly be more than pleased with this direction and growth. Standout Tracks: That Year, Dying Day, 
As a long time fan of Westlife, all I can say, is that if this album doesn’t make you a fan, then you probably never will be. However, for those of us that love beautiful songs about love, I can definitely say that these boys have done it again. Following what was (in my opinion) their best album, Back Home (well, other than their Greatest Hits Vol. 1), I had high hopes for another near-flawless Westlife album. However, worry set in when it was announced that the first single would be a cover of Daughtry’s What About Now (which is the ONLY reason that this album didn’t place higher, and receives four stars from me). While it is a great cover (probably better than the original, which isn’t surprising seeing as the do covers VERY well), their cover of the song, the inclusion of it on this album, and especially the decision to make it the lead off single from the album, are all just extremely unnecessary in my opinion. Westlife has relied on covers so much in the past, and I rarely understand why after listening to the rest of the album. The same holds true with Where We Are; after listening to the rest of the album, it is clear that it stands firmly on its own as a solid album, full of great songs (most, if not all, soaring over What About Now in their quality). Basically, the only thing left to say here, is what’s been said already; it’s a great album of love songs, and if you are a fan of Westlife, you certainly know what to expect, and you will NOT be disappointed. Even working with the predictable Ryan Tedder doesn’t ruin the Westlife formula, and that’s really saying something right there; if it works, it just works. Standout Tracks: Sound of a Broken Heart, How to Break a Heart, 
The first time I heard Angel Taylor’s Chai Tea Latte, I was blown away. This song is perfect. The juxtaposition of saccharine sweet lyrics (chock full of coffee and personality themed double entendres) with an incredibly beautiful melody and achingly tender vocals had me buckling after one listen. After falling for that song, I was clamoring for more material from Angel, and when she subsequently released Love Travels shortly after, I was not disappointed. The rest of the album is full of her piano driven pop that is just a pleasure from the beginning through to the end (with her strongest tracks opening and closing the album; smart move on her part). My only complaint, is that there are moments where she bears a very strong similarity to one of my favorite female singer-song writers, Sara Bareilles, and that striking similarity (especially the track Not Even Human, which is undoubtedly, one of Taylor’s best) takes something just a little something away from her originality. However, that being said, if you love Sara Bareilles, you will probably then love Angel Taylor as well; so really, it’s a win/win if you think about it. Overall, Love Travels is a beautifully orchestrated piano-pop album, filled to the brim with delightful melodies about love and longing. Standout Tracks: 
This album came out of complete left field for me. I first heard of the Eulogies back in August, when I saw the super cute video for the great first single Two Can Play from their sophomore album Here Anonymous (which is actually a sweet duet featuring Nikki Monniger of the Silversun Pickups). After I fell in love with that delightful song, I wanted to hear more, and I am glad I did; Here Anonymous is a fabulous alternative rock album, driven by sweet melodies, slick arrangements, and delightful vocals. They really remind me a lot of Peter Bjorn and John, with the added sweetness and delight of bands like The Weepies and She & Him, in the way that they layer each track, and how they weave in such catchy choruses to carry almost every song on the album. This album was a great random find for me in 2009, and I’m surprised I’m not seeing it on more year end lists; this band deserves a lot more attention, especially when you consider the overall greatness of Here Anonymous. Standout Tracks: 
This album was probably one of my biggest surprises in 2009; considering that I had never even heard of Biffy Clyro before the midpoint of the year. I love it when I stumble onto new bands, and when I first heard The Captain, I knew I had stumbled onto a great one (a find that I happily bestow credit to BBC Radio 1!). Perhaps my favorite thing about Biffy Clyro is the complexity of their melodies and song arrangements. They do the “typical” rock and roll thing, but they craft their songs in such a way that you never know which way it is going to go; there are so many intricate elements in the layering of instruments, and the arrangement can often turn on a dime (they continually utilize unique time signatures that can change within a song). Not only do I love the way in which they make music, but the lead singer’s voice and especially his accent are both down right beautiful. On Only Revolutions, Biffy Clyro have made many songs that are clearly built with a careful attention to detail that is nothing short of impressive; I can’t even imagine how difficult some of these songs must be for them to play. The result is an album that utilizes essential elements of guitar-driven rock and roll, and twists them into something unexpected, nuanced, and extremely enjoyable. Standout Tracks: God & Satan, 
While I did enjoy several songs from his previous album, The Magic Position, for some reason, it never really resonated with me on as deep a level as The Bachelor did this year (this is a major theme in my life for some reason). However, I never forgot about Patrick, because of his seemingly endless attention to detail and innovation with both his music, as well as his entire persona; there is something about him that I completely respect, because of the way this is reflected in his seemingly care free attitude. He is truly an artist that pays attention to every inch of his music, and broadcasts his personality both in his sound, as well as his appearance. Though he may be avant-garde in nearly every aspect of his style, I find that on The Bachelor, he has also made himself accessible; this album is chock full of extremely well orchestrated pop songs that forcefully push the boundary of pop music today. Patrick captured my attention fully with this album, and I love the unexpected elements peppered throughout the record; such as the brilliant (albeit sometimes creepy) use of Tilda Swinton narrating on several tracks. Overall, he has crafted an almost fairytale-like album, filled with twisting, popping, and dancing narrative-driven music; all of which beg to be devoured and savored to their last drop. Patrick is truly an innovative artist, and The Bachelor is a reflective, and brilliantly innovative album; which you would never know by the badly photoshopped art that serves as the album’s cover. Standout Tracks: Damaris, 
Definitely more subdued and stripped down than their first debut, this album steers clear of the uber catchy pop sensibility of tracks like 5 Years Time, and instead, focuses clearly on well developed folk. The result, is some of the most beautiful songwriting to be put to music in 2009. Specifically, the track Blue Skies, is one of the most beautiful songs I have ever heard, and it is definitely one of my favorites from 2009 (it came in at #6 on my singles chart for this year). Overall, the album has a very solemn and raw feel to it, and the band really crafts what seems like a soundtrack to a beautiful film about love (which is most likely what they were going for, seeing as they did a film to accompany the album). I must say, that this album was a complete surprise for me, because I wasn’t really able to get into them other than their first single, the aforementioned 5 Years Time, so I am glad that this album really resonated with me. Some of the songs on here are just breathtakingly sweet, delightfully delicate, and utterly beautiful. Standout Tracks: 
While this is definitely the hardest album on this countdown, I have to say that it was the “softer side” of Alexisonfire that initially captured my attention; well, sort of. Last year, my number one album of the year was Bring Me Your Love by Dallas Green’s City and Colour project; and Dallas just happens to be one of the lead singers of Alexisonfire. Because I adore him, and City and Colour so much, I had to check out Alexisonfire’s new album Old Crows/Young Cardinals when it came out in June. What surprised me most, was that, even though it is stylistically very different from City and Colour, I really enjoyed it. To say that post-hardcore is not my kind of music is a drastic understatement, so I was just as surprised as any of you reading this probably are, because not only did I really like this album, but I knew almost instantly that it would be amongst my favorites for this year. This album is consistently well crafted from start to finish. The blaring guitars, banging drums, and very well written lyrics are driven by the emotive and powerful rock and roll that is echoed in the vocal delivery, as well as the musical arrangement. I also like the they show their softer side (and more of Dallas’ City and Colour-like influence) on a couple tracks, like Burial; which is the track that I would credit as making me initially take notice of this album. Burial may have made me piqued my interest, but it was the energetic all out rock and roll of tracks like the amazing Young Cardinals that had me blasting this from my speakers for months, and enjoying the album in its entirety, more and more, with each listen. My love of this album just goes to show, that if you open yourself up to something new, you might end up really liking it; and in the case of Alexisonfire, I most certainly do. Standout Tracks: 
To describe this album in three words, I would use the following: tenacious, energetic, and fresh. VV Brown drifted onto my radar when I heard her massive single, Shark In The Water, and I immediately knew I had stumbled onto something major. Once I had a proper listen of her debut, Travelling Like the Light, my suspicion was confirmed; VV Brown is a very talented musician. If I could compare her musical style to anything, I would say that she is probably best described as a mash up of Janelle Monae and the Pipettes; both of which are musical acts that I truly adore. VV’s take on pop, using big band elements, fresh beats, and her oh so beautiful voice is certainly a wonderful addition to the music I fell in love with in 2009; and it is yet another reminder of just how much amazing music comes from Britain. VV does share a lot in common with the aforementioned Monae, not only in appearance, but in her freshness, as well as her way of using simple, tried and true elements in her music. One thing is certain, however, both ladies are talented in their own right, and there is more than enough room for both of them on my ipod. Standout Tracks: 
Matthew’s stripped down, beautiful acoustic folk-rock really took me be surprise; when I stumbled on his song, Easily Bruised, I really wasn’t expecting to find an entire album that was so equally wonderful. Vocally, Matthew bears some similarities to Ryan Adams, Bob Dylan, and Bruce Springsteen, yet he crafts his own tender precision with each song on Ghost Notes. Matthew’s musical style blends the delicate elements of folk, peppered with hints of a country twinge throughout the album; which, combined with the beautiful imagery in his lyrics, makes Ghost Notes a truly beautiful collection of songs. I think that it is his stripped down side that highlights his talent best, as some of the slowest, and most delicate songs on the album are above and beyond his best; such as the amazing track, and perhaps my favorite from the album, Where the River Bends. I will say right again, that this album was a pleasant surprise, and a great random find for me this year; I am more than pleased I heard it, as I knew right away it would definitely be amongst my favorites from this year… and as you can see, it certainly is. Standout Tracks: 
I first became aware of the Dutch singer Anouk when I heard her amazing song Lost a year or so ago; but it wasn’t until For Bitter or Worse that I can actually say that I truly got into her music. I noticed that she was releasing a new album this year, and after hearing the AMAZING lead single, Three Days in a Row, and the sheer vocal talent that she effortlessly throws about in that song (especially the incredibly crescendo at 3:16 seconds… um, can I get a WOW?), I knew I had to do myself a favor, check out the rest of this album. I’m glad that I did, because overall, For Bitter or Worse is fantastic. Anouk’s strongest attribute is her gritty, impressive voice, but she also weaves beautiful melodies with well written lyrics throughout the album, and together, they make for a truly weathered and very professional sounding rock album. After hearing this album for the first time, the only question I was left with, was WHY on earth is this woman not massively famous in the United States; or even globally, for that matter? Talent is clearly not the issue here (that voice!), and as such, it is certainly a wonder as to why Anouk isn’t more of a household name outside of her home country; she makes music that is nothing short of impressive. Regardless of how famous she ends up being here in the States, I can tell you one thing; with this album, she has definitely made a fan out of me. Standout Tracks: Lay It Down, 
I fell in love with Peter Bjorn and John with their amazing album Writer’s Block. After hearing their new single, Nothing to Worry About, I was worried if that love would continue for their new album, because the song actually annoyed me at first. However, once I heard the song a few times, I found the PB and J in it that I loved, and I slowly, but surely came around. With the release of Living Thing, I will admit, that I wasn’t sold at first; missing this time, were the clever whistling and the insanely catchy indie pop that filled Writer’s Block, and in their place, was a noticeably harder, and more experimental edge to each song. However, much like the first single, I slowly came around, and ended up finding the root of Peter Bjorn and John at the heart of the album, and liking it as well. A few of the songs, like It Don’t Move Me, I got into instantly, because they are completely and utterly brilliant; and highlight just how talented Peter Bjorn and John are. It just goes to show, that there are bands out there that are capable of so much, that you never know what piece of their seemingly endless spectrum they are going to show you; and with Living Thing, Peter Bjorn and John have shown that they are definitely one of those bands. Standout Tracks: 
I’m going to start by saying how glad I am that Jack took a different direction for his aptly titled sophomore album, Everything Is New. While I enjoyed some of the rockabilly style he harnessed on his debut, it is definitely the more pop sensible Jack that I prefer. With this album, Jack focuses his effort on building true orchestrations, and in doing so, crafts elegant and grandiose pop arrangements on practically every track. While it is what many would consider a short album, clocking in at just shy of 34 minutes with 9 tracks, Jack has shown a great attention to detail this time around, and avoids the pitfall of having each song sound incredibly similar to the one that preceded it (as was the case with most of his debut). The elegance and beauty on this album highlights a really talented pop musician; one who has learned how to better utilize his rock and roll roots. For me, the deep (and at times, playful) beats, the horns, and the recorded-in-a-concert-hall feel that practically every track as to it, coupled with Jack’s tender, yet earnest vocals, make this album an enjoyable listening experience throughout. Standout Tracks: 
When I first heard Don’t Upset the Rhythm, I knew instantly that I had something to look forward to this year from The Noisettes. What followed, was the impressive Wild Young Hearts, an album that highlights not only a talented vocalist, but a band that draws on classic elements and playful melodies. The impressive and beautiful voice of Shingai Shoniwa will have you thinking you are listening to something straight out of 50s or 60s Motown, but the blaring guitars and thumping drum beats will remind you that you are actually hearing something fresh in 2009. This album follows the trend that Amy Winehouse reinvigorated with her 2007 effort, Back to Black, and continues the revitalization of that throwback sound today. What I loved most about this album, was the familiarity that permeated many of the tracks; like how parts of Never Forget You have a musical similarity to the theme song to Laverne and Shirley. While I fell instantly for the lead single, and quickly hopped on board with continued love for the album upon its release, I would definitely have to say that this is one of those albums that I should have spent a little more time with this year. Standout Tracks: Don’t Upset the Rhythm, Atticus, 
Starting off with the massive single, My Life Would Suck Without You, Kelly’s fourth album starts strong, and offers a much more radio-friendly album than her previous effort. Kelly’s voice is better than ever, and she soars in and out of rock-heavy break up anthems, and reigns it in for the tender ballads. Overall, the Kelly Clarkson that I fell for with Breakaway is back, and it is almost like the lackluster album between these two albums never happened. Kelly rightfully claimed a lot of chart success this year, and given the number of strong single-ready tracks left on All I Ever Wanted, I suspect that she will keep going strong in 2010 with the momentum off of this album. My only negative critique of this album concerns the tracks that fill the middle of the album, and distract away from the clearly superior, clearly single-worthy tracks. While these tracks can certainly be blamed for dragging Kelly down on my favorites list this year, I’m just glad that the chart-dominating Kelly Clarkson is back. Standout Tracks: