6: Silversun Pickups – Swoon 
Silversun Pickups really remind me of high school a lot, in that their music reminds me of the way that I felt when I first truly knew that I loved music. Much like the way early Smashing Pumpkins got me into alternative rock, the Silversun Pickups picked up that torch and keep the race going for me when I first heard their insanely good debut, Carnavas. Naturally, when I found out they were releasing a new album last year, I was bouncing around with excitement, and after hearing Swoon, I have to say, that Silversun Pickups really outdid themselves with this album. From the insane distortion-love-fest that is There’s No Secrets This Year (which, in my opinion, may be their best song to date), to the incredible lead single, Panic Switch, and throughout the rest of Swoon, Silversun Pickups proved that they were not going to settle for a sophomore slump; in fact, I more than happy to proclaim that Swoon soars above their debut. While I don’t really understand the ways in which they chose people for the “best new artist” category for the Grammys (for which Swoon got them nominated), it doesn’t surprise me in the least the Swoon managed to get Silversun Pickups on a lot of people’s radar this year, because this truly amazing band is making some fantastic music that MUST be heard, shared, and enjoyed. This is one of those albums that is perfect to put on when you are driving around, and want to just rock out; and that is just what I did many, many times last year (and continue to do now!). I am so glad that Swoon turned out to be as amazing of an album as it is, because it really builds on the taste that Cavarnas alluded to, and just how amazing and talented the Silversun Pickups turned out to be. Standout Tracks: There’s No Secrets This Year, Panic Switch, The Royal We, Substitution, Sort Of.
7: Mat Kearney – City of Black and White
What can I say about Mat Kearney other than he’s just simply wonderful? After falling pretty much head over heels for him with his “debut” (I use quotations, because it was more aptly described as his major label debut) Nothing Left To Lose, I was more than excited when I found out he would finally be releasing a follow up earlier last year. When I heard the lead single, Closer to Love, I became even more excited for the album, because it is definitely one of his best songs to date. When I finally got City of Black and White, I realized that it was worth the wait; Mat has grown as an artist, and taken something that he did so well before, and transformed it into something simply amazing on this new CD. From his heartfelt vocals, sweet rhythms, and rhymes woven throughout each track, and the way in which he melds rock and roll with a twinge of hip hop, City of Black and White is a truly wonderful collection of songs that show just how talented of a musician Mat really is. The cherry on top for me, was seeing Mat live again last year, and as he was the first time I saw him, he was practically flawless. This is one of those musicians that I will always be on the lookout for, because of just how consistently amazing his music has proven to be; with this most recent release being certainly no exception. Standout Tracks: Closer To Love, All I Have, Here We Go, On and On, New York To California, City of Black and White.
8: A Fine Frenzy – Bomb In A Birdcage
This album’s lead single was certainly an appropriately titled track; Bomb in a Birdcage was certainly one that would blow me away in 2009. I never really gelled with A Fine Frenzy’s first album, but once I gained a true appreciation of the aforementioned lead singleBlow Away, something told me to pay closer attention to her upcoming release. What I found, was an amazing album that captured my attention like she had never done before, and I found myself loving this album so much more than I was expecting. From beginning to end, A Fine Frenzy has created a beautiful, upbeat, catchy, and down right amazing pop album; one that I just can’t seem to get enough listens of. If you have been reading this blog for any amount of time, you should know by now that I am a sucker for a female piano-driven pop artist, and Allison Sudol (aka A Fine Frenzy) has solidified herself as one of my favorites with the release of the amazing Bomb in a Birdcage. The songs are so well written, both lyrically as well as the layered and beautiful arrangements, and I with each new listen, I actually find something new in each track that makes me love it more. There isn’t a misstep in sight with this album, which is fantastic from beginning to end. I am glad that I sat up and paid more attention this time around, because missing out on this album would certainly be a tragedy. I really can’t say it enough: A Fine Frenzy’s Bomb in a Birdcage is magnificent and it will blow you away, just like it did to me! Standout Tracks: Swan Song, Bird of the Summer, Blow Away, What I Wouldn’t Do, New Heights, Electric Twist.
9: Lady GaGa – The Fame Monster
So if there was any doubt in the lead up to Lady GaGa taking the throne as the next big thing in pop music, she pretty much put the death nell in that notion with the release of The Fame Monster. While it started out as only an 8 track “addendum” to her debut album released in 2008 year, The Fame, GaGa fought the music moguls and won the right to have The Fame Monster released as a separate album in 2009 (along with it being packaged with The Fame in the deluxe edition). However, regardless if it was an add on or not isn’t an issue, as with Monster, GaGa takes her innovative brand of pop and pushes it to the next level. From the insanely catchy, RA-RA’s of Bad Romance, all of the way through to the innovatively amazing album closer Teeth, GaGa just shows that not only is she not going away any time soon, but she plans to up the ante while she’s got our attention. On this album, I feel like GaGa has shared a lot more of herself; giving more raw performances with each track, matching her live show much more closely than ever before. Speaking of the album’s lead single, Bad Romance, GaGa also upped the ante on her equally innovative performance art, and released what many will agree was the one of the best music videos of the decade. Certainly she must be tired, because based on the consistent quality of her trail blazing take on the pop music scene, GaGa is only setting the bar higher and higher for her pop peers and herself; and she doesn’t appear to be slowing down any time soon. For me, The Fame Monster solidifies GaGa as one of the biggest (and best) things to happen to pop music in over a decade; and if this is any indication of the future, I expect to see a lot more GaGa, and I can’t wait. Standout Tracks: Bad Romance, Teeth, Speechless, Mouth, Telephone.
10: Passion Pit – Manners
The first time I heard the MASSIVE single Sleepyhead, I was instantly sitting there wondering to myself just where in the hell this amazingness came from. There have been tons of indie pop groups out there shovelling similar stuff down our throats for years, but never had I heard something as catchy as the amazing Sleepyhead. Well, several months later, they released the follow up track, The Reeling, which would be the lead single for their proper first album, Manners, to be released early in 2009. Needless to say, I realized I had stumbled very early on to something amazing, and I just couldn’t wait to get my hands on the then upcoming Passion Pit debut album. When Manners finally came out, what I got was nothing short of fantastic, and I instantly fell for this amazing indie-pop concoction. While Sleepyhead is still my favorite, there are many tracks on the album that make me wonder why these guys are more popular than they are; they really know what they are doing, and have made a pretty fucking amazing debut album. I am so glad that I found this one in 2009; it really deserves to be on a shitload of best of 2009 lists, and I know that I would have been kicking myself if I had missed out on this gem (and thankfully, I didn’t!). Standout Tracks: Sleepyhead, The Reeling, Little Secrets, Moth’s Wings, Let Your Love Grow Tall.
Matthew’s stripped down, beautiful acoustic folk-rock really took me be surprise; when I stumbled on his song, Easily Bruised, I really wasn’t expecting to find an entire album that was so equally wonderful. Vocally, Matthew bears some similarities to Ryan Adams, Bob Dylan, and Bruce Springsteen, yet he crafts his own tender precision with each song on Ghost Notes. Matthew’s musical style blends the delicate elements of folk, peppered with hints of a country twinge throughout the album; which, combined with the beautiful imagery in his lyrics, makes Ghost Notes a truly beautiful collection of songs. I think that it is his stripped down side that highlights his talent best, as some of the slowest, and most delicate songs on the album are above and beyond his best; such as the amazing track, and perhaps my favorite from the album, Where the River Bends. I will say right again, that this album was a pleasant surprise, and a great random find for me this year; I am more than pleased I heard it, as I knew right away it would definitely be amongst my favorites from this year… and as you can see, it certainly is. Standout Tracks: 
I first became aware of the Dutch singer Anouk when I heard her amazing song Lost a year or so ago; but it wasn’t until For Bitter or Worse that I can actually say that I truly got into her music. I noticed that she was releasing a new album this year, and after hearing the AMAZING lead single, Three Days in a Row, and the sheer vocal talent that she effortlessly throws about in that song (especially the incredibly crescendo at 3:16 seconds… um, can I get a WOW?), I knew I had to do myself a favor, check out the rest of this album. I’m glad that I did, because overall, For Bitter or Worse is fantastic. Anouk’s strongest attribute is her gritty, impressive voice, but she also weaves beautiful melodies with well written lyrics throughout the album, and together, they make for a truly weathered and very professional sounding rock album. After hearing this album for the first time, the only question I was left with, was WHY on earth is this woman not massively famous in the United States; or even globally, for that matter? Talent is clearly not the issue here (that voice!), and as such, it is certainly a wonder as to why Anouk isn’t more of a household name outside of her home country; she makes music that is nothing short of impressive. Regardless of how famous she ends up being here in the States, I can tell you one thing; with this album, she has definitely made a fan out of me. Standout Tracks: Lay It Down, 
I fell in love with Peter Bjorn and John with their amazing album Writer’s Block. After hearing their new single, Nothing to Worry About, I was worried if that love would continue for their new album, because the song actually annoyed me at first. However, once I heard the song a few times, I found the PB and J in it that I loved, and I slowly, but surely came around. With the release of Living Thing, I will admit, that I wasn’t sold at first; missing this time, were the clever whistling and the insanely catchy indie pop that filled Writer’s Block, and in their place, was a noticeably harder, and more experimental edge to each song. However, much like the first single, I slowly came around, and ended up finding the root of Peter Bjorn and John at the heart of the album, and liking it as well. A few of the songs, like It Don’t Move Me, I got into instantly, because they are completely and utterly brilliant; and highlight just how talented Peter Bjorn and John are. It just goes to show, that there are bands out there that are capable of so much, that you never know what piece of their seemingly endless spectrum they are going to show you; and with Living Thing, Peter Bjorn and John have shown that they are definitely one of those bands. Standout Tracks: 
I’m going to start by saying how glad I am that Jack took a different direction for his aptly titled sophomore album, Everything Is New. While I enjoyed some of the rockabilly style he harnessed on his debut, it is definitely the more pop sensible Jack that I prefer. With this album, Jack focuses his effort on building true orchestrations, and in doing so, crafts elegant and grandiose pop arrangements on practically every track. While it is what many would consider a short album, clocking in at just shy of 34 minutes with 9 tracks, Jack has shown a great attention to detail this time around, and avoids the pitfall of having each song sound incredibly similar to the one that preceded it (as was the case with most of his debut). The elegance and beauty on this album highlights a really talented pop musician; one who has learned how to better utilize his rock and roll roots. For me, the deep (and at times, playful) beats, the horns, and the recorded-in-a-concert-hall feel that practically every track as to it, coupled with Jack’s tender, yet earnest vocals, make this album an enjoyable listening experience throughout. Standout Tracks: 
When I first heard Don’t Upset the Rhythm, I knew instantly that I had something to look forward to this year from The Noisettes. What followed, was the impressive Wild Young Hearts, an album that highlights not only a talented vocalist, but a band that draws on classic elements and playful melodies. The impressive and beautiful voice of Shingai Shoniwa will have you thinking you are listening to something straight out of 50s or 60s Motown, but the blaring guitars and thumping drum beats will remind you that you are actually hearing something fresh in 2009. This album follows the trend that Amy Winehouse reinvigorated with her 2007 effort, Back to Black, and continues the revitalization of that throwback sound today. What I loved most about this album, was the familiarity that permeated many of the tracks; like how parts of Never Forget You have a musical similarity to the theme song to Laverne and Shirley. While I fell instantly for the lead single, and quickly hopped on board with continued love for the album upon its release, I would definitely have to say that this is one of those albums that I should have spent a little more time with this year. Standout Tracks: Don’t Upset the Rhythm, Atticus, 
Starting off with the massive single, My Life Would Suck Without You, Kelly’s fourth album starts strong, and offers a much more radio-friendly album than her previous effort. Kelly’s voice is better than ever, and she soars in and out of rock-heavy break up anthems, and reigns it in for the tender ballads. Overall, the Kelly Clarkson that I fell for with Breakaway is back, and it is almost like the lackluster album between these two albums never happened. Kelly rightfully claimed a lot of chart success this year, and given the number of strong single-ready tracks left on All I Ever Wanted, I suspect that she will keep going strong in 2010 with the momentum off of this album. My only negative critique of this album concerns the tracks that fill the middle of the album, and distract away from the clearly superior, clearly single-worthy tracks. While these tracks can certainly be blamed for dragging Kelly down on my favorites list this year, I’m just glad that the chart-dominating Kelly Clarkson is back. Standout Tracks: