So, two of my favorite vocalists, Dallas Green (my favorite artist, AKA City and Colour), and the incredible Alecia Moore (AKA P!nk) have teamed up to make a beautiful record, and the result is called You+Me. Their first song, You+Me, is incredible.
This is the type of music that makes me get chills when I listen; it is beautifully written, and the harmonies, thematic elements, and haunting musicality all weave together to form something incredibly beautiful. I am so happy these two got together, because they are arguably two of the strongest vocalists in music today; and the style of each blending together is heaven. Two extremely strong songwriters together definitely makes for incredible music; and this is clearly no exception.
From what I have read, P!nk said this was a love song for her mom, which is incredibly touching and crazy beautiful.
Needless to say, I cannot wait for this album!!! Fortunately, I only have to wait until next week. Rose Ave is out next week, October 14. I’ve already pre-ordered, and I highly suggest you do as well. Thanks John for telling me about this project!! I just hope they tour for this album!!!
Not only is this song amazing, but the video is incredibly beautiful as well. I love Patrick Wolf; he always seems to be standing outside of the box, and yet crafts such amazing pop, that you’d think that everyone in the box would be singing his praises. This guy is eccentric, but that’s his strong suit; he really pours a lot of that eccentricity into his music, fashion, and style, and the result is a true pop superstar that never seems to get enough praise or credit for his work. His new album, Lupercalia is slated to come out in the next couple of weeks, and after hearing and falling head over heels in love with this track, as well as the first single, The City, I am simply bursting at the seams to get my hands on it. 
The new album, Little Hell, came out earlier this week, and it is incredible. After hearing O’ Sister, Fragile Bird, and Northern Wind prior to its release, I had high hopes, and pretty high expectations that this album would be yet another amazing release from Dallas Green, aka, City and Colour. After one listen, I will say that I was not disappointed in the least. It is a fantastic album from beginning to end, and represents some of his most beautiful work. While it isn’t as delicate and achingly beautiful overall as the previous release, Bring Me Your Love, it has true heartfelt moments that stand right along side that album, as well as more uptempo and more rock tracks that add a more gritty element to his previous work. Dallas is an exquisite song writer, and an incredible musician, and this album is hands down, one of the absolute best of 2011, by a landslide. With this album, Dallas has solidified his place amongst my most favorite artists, and has proven that he just gets better with each new release. I really hope that he makes a tour stop in Atlanta some time soon.Be sure to get Little Hell, which is out now.
Death Cab For Cutie are certainly one of my favorite bands, and they have been for many years. I love lead singer Ben Gibbard’s voice, and their music is epically beautiful. I was more than excited when I saw that they would be releasing a new album at the end of May, so I marked it on my calendar. As always, they did not disappoint, and the album, Codes and Keys, is pretty amazing overall. I was extra excited, when I listened for the first time, and I found a few songs like this one, that harken to the side project Ben did several years ago called The Postal Service; whose only album was down right incredible. I am sure fans of both bands squealed with delight just as I did upon hearing the infusion of some Postal Service elements into this album. I am glad they gave the fans something as wonderful as this, and continue treating us to great music with each new release. Be sure to get Codes and Keys, which is out now. 
This is the new, very peppy track by Mat Kearney. It reminds me stylisitically a lot of Pete Yorn’s track Relator that he did with Scarlett Johanson a couple of years ago. That being said, Mat Kearney is one of those artists that I have followed for years, and consider myself to be a big fan of his work. I’ve seen him in concert a couple of times, and his voice has this amazing ability to make one weak in the knees. This is a much more peppy direction for him, but I think that it works quite well, and it might be his most radio-ready track to date. As always, I am looking forward to his next release, and if this is any indication as to what it might sound like, it seems that Mat is going to be a little more upbeat, and a lot lighter this time around. Maybe this song will help him get some much deserved airplay, and allow more people to find out about this amazing artist. 
I was watching the movie Morning Glory the other night, and this delightful song started playing, and I instantly recognized it as the Weepies. While I didn’t really get into their 2010 album Be My Thrill (perhaps because of being busy with nursing school…), I do enjoy the Weepies a lot, and really loved this song when I heard it. It’s very similar to other songs by the Weepies, but when the formula works, why mess with it? The movie was very sweet, and I ended up enjoying it a lot, and I had to download this track as soon as the movie ended. This is yet another example of how using a great song at a pivotal point in a movie can really draw you in and make the experience that much more enjoyable. In this case, it made me enjoy the movie that much more, and solidified a music purchase from me; what’s not to like about that? Do yourself and see this movie too; the previews did not do it justice. It is well written, very cute, and full of laughs and sweet moments. I really enjoyed it. 
A friend of mine on facebook reminded me that I needed to give the new Decemberists album, The King is Dead a proper listen, and I am glad that I did. Overall, the album is pretty decent, but this song is the real standout for me; it is incredibly beautiful in every way. I have always loved Colin Meloy’s voice, and it is so tender in this song, and the lyrics are vivid. I love how the song is arranged, and how it is almost like an old timey country song; which is normally not something I would instantly love. It’s definitely a little different than some of their previous work, but I cannot get enough of this song; it is really, really beautiful. I have been listening to it on repeat for a few weeks now, and it just gets better every time I hear it. 
I mentioned Slow Runner a few posts ago when I was talking about the incredible William Fitzsimmons concert I saw at Smith’s Olde Bar a few weeks ago. These guys opened for him, and played with him throughout his set as well, and I was very impressed and thought they were pretty amazing live. When I came home, I downloaded some of their stuff, and was happy to have found a great band in the process. In concert they reminded me a lot of The Postal Service, and that electronic-pop-folk sensibility is front and center on their recorded stuff as well. This song, from their new album Damage Points, is by far my favorite of all their stuff I have heard. It’s beautiful, and the lead’s voice is very shyly tender and sweet. I will definitely be keeping my eye on these guys in the future. 
It has been exactly one week since I saw the incredible show Kylie put on at the Fox Theater last week. My buddy Stu surprised me with tickets, and the show was amazing!!! I was a fan of Kylie before, but she has definitely moved up on my list of favorite artists. The show’s production was far and above over the top, and every moment was a true sight to behold; this woman is incredible live, and you are truly missing out if you haven’t seen her in concert. Since seeing the show, I have been listening to lots more Kylie, and have given Aphrodite more of a chance. After having seen her perform the songs live, I have a newfound appreciate for them, and have been enjoying her music much, much more. I feel like if I had seen her live earlier, I would have probably ranked this album higher, and it may have even made me favorites of 2010. Thanks for taking me to the show, Stu! It was incredible!! 
After seeing 
This album was probably one of my biggest surprises in 2009; considering that I had never even heard of Biffy Clyro before the midpoint of the year. I love it when I stumble onto new bands, and when I first heard The Captain, I knew I had stumbled onto a great one (a find that I happily bestow credit to BBC Radio 1!). Perhaps my favorite thing about Biffy Clyro is the complexity of their melodies and song arrangements. They do the “typical” rock and roll thing, but they craft their songs in such a way that you never know which way it is going to go; there are so many intricate elements in the layering of instruments, and the arrangement can often turn on a dime (they continually utilize unique time signatures that can change within a song). Not only do I love the way in which they make music, but the lead singer’s voice and especially his accent are both down right beautiful. On Only Revolutions, Biffy Clyro have made many songs that are clearly built with a careful attention to detail that is nothing short of impressive; I can’t even imagine how difficult some of these songs must be for them to play. The result is an album that utilizes essential elements of guitar-driven rock and roll, and twists them into something unexpected, nuanced, and extremely enjoyable. Standout Tracks: God & Satan, 
While I did enjoy several songs from his previous album, The Magic Position, for some reason, it never really resonated with me on as deep a level as The Bachelor did this year (this is a major theme in my life for some reason). However, I never forgot about Patrick, because of his seemingly endless attention to detail and innovation with both his music, as well as his entire persona; there is something about him that I completely respect, because of the way this is reflected in his seemingly care free attitude. He is truly an artist that pays attention to every inch of his music, and broadcasts his personality both in his sound, as well as his appearance. Though he may be avant-garde in nearly every aspect of his style, I find that on The Bachelor, he has also made himself accessible; this album is chock full of extremely well orchestrated pop songs that forcefully push the boundary of pop music today. Patrick captured my attention fully with this album, and I love the unexpected elements peppered throughout the record; such as the brilliant (albeit sometimes creepy) use of Tilda Swinton narrating on several tracks. Overall, he has crafted an almost fairytale-like album, filled with twisting, popping, and dancing narrative-driven music; all of which beg to be devoured and savored to their last drop. Patrick is truly an innovative artist, and The Bachelor is a reflective, and brilliantly innovative album; which you would never know by the badly photoshopped art that serves as the album’s cover. Standout Tracks: Damaris, 
Definitely more subdued and stripped down than their first debut, this album steers clear of the uber catchy pop sensibility of tracks like 5 Years Time, and instead, focuses clearly on well developed folk. The result, is some of the most beautiful songwriting to be put to music in 2009. Specifically, the track Blue Skies, is one of the most beautiful songs I have ever heard, and it is definitely one of my favorites from 2009 (it came in at #6 on my singles chart for this year). Overall, the album has a very solemn and raw feel to it, and the band really crafts what seems like a soundtrack to a beautiful film about love (which is most likely what they were going for, seeing as they did a film to accompany the album). I must say, that this album was a complete surprise for me, because I wasn’t really able to get into them other than their first single, the aforementioned 5 Years Time, so I am glad that this album really resonated with me. Some of the songs on here are just breathtakingly sweet, delightfully delicate, and utterly beautiful. Standout Tracks: 
While this is definitely the hardest album on this countdown, I have to say that it was the “softer side” of Alexisonfire that initially captured my attention; well, sort of. Last year, my number one album of the year was Bring Me Your Love by Dallas Green’s City and Colour project; and Dallas just happens to be one of the lead singers of Alexisonfire. Because I adore him, and City and Colour so much, I had to check out Alexisonfire’s new album Old Crows/Young Cardinals when it came out in June. What surprised me most, was that, even though it is stylistically very different from City and Colour, I really enjoyed it. To say that post-hardcore is not my kind of music is a drastic understatement, so I was just as surprised as any of you reading this probably are, because not only did I really like this album, but I knew almost instantly that it would be amongst my favorites for this year. This album is consistently well crafted from start to finish. The blaring guitars, banging drums, and very well written lyrics are driven by the emotive and powerful rock and roll that is echoed in the vocal delivery, as well as the musical arrangement. I also like the they show their softer side (and more of Dallas’ City and Colour-like influence) on a couple tracks, like Burial; which is the track that I would credit as making me initially take notice of this album. Burial may have made me piqued my interest, but it was the energetic all out rock and roll of tracks like the amazing Young Cardinals that had me blasting this from my speakers for months, and enjoying the album in its entirety, more and more, with each listen. My love of this album just goes to show, that if you open yourself up to something new, you might end up really liking it; and in the case of Alexisonfire, I most certainly do. Standout Tracks: 
To describe this album in three words, I would use the following: tenacious, energetic, and fresh. VV Brown drifted onto my radar when I heard her massive single, Shark In The Water, and I immediately knew I had stumbled onto something major. Once I had a proper listen of her debut, Travelling Like the Light, my suspicion was confirmed; VV Brown is a very talented musician. If I could compare her musical style to anything, I would say that she is probably best described as a mash up of Janelle Monae and the Pipettes; both of which are musical acts that I truly adore. VV’s take on pop, using big band elements, fresh beats, and her oh so beautiful voice is certainly a wonderful addition to the music I fell in love with in 2009; and it is yet another reminder of just how much amazing music comes from Britain. VV does share a lot in common with the aforementioned Monae, not only in appearance, but in her freshness, as well as her way of using simple, tried and true elements in her music. One thing is certain, however, both ladies are talented in their own right, and there is more than enough room for both of them on my ipod. Standout Tracks: 
This suggestion comes from my friend 
This suggestion comes from my friend 
This suggestion comes from my friend 
There is a lot of good music that comes out of the UK, and it never ceases to amaze me how much of it is completely overlooked by people in this country. This song was in the top ten on iTunes UK, and I had never even heard it before I stumbled onto it last night. After one listen, I sat there wishing it was songs like this that were dominating our radio airwaves, instead of songs from other tweens like Taylor Swift and Miley Cyrus. This song has a banging beat, and a lot of energy. Esmee’s vocals are powerful, and a welcome addition to the “tween scene”; that is, if she can actually successfully cross the pond. The way I look at it, for each annoying track from Taylor Swift, if we could get a fantastic one like this one, there would be balance in the world. Turns out Esmee was a youtube star that Justin Timberlake caught wind of, and got her a record deal; maybe that’s enough for her to make it here. I guess we’ll just have to wait and see. 
I will start by saying that I have never been a fan of post-hardcore shout rock, and I have never seen any value in it (I don’t get the screaming). However, as many of you know, one of my favorite singers of all time, Dallas Green, actually plays in a post-hardcore band, Alexisonfire. Since I love his side acoustic project, City and Colour, so much, curiosity eventually got the better of me, and I wanted to see if I could find any Alexisonfire that I would like as well (my philosophy was, more Dallas is a good thing). With the release of their new album, Old Crows/Young Cardinals, 
Holy song of the summer, Batman! Seriously, this one is going to make the hot months much more bearable. I have posted about the Gossip in the past, because I absolutely love the unique and powerful voice of the amazing Beth Ditto. Well, they released their newest album, Music For Men, this week, and so far, this is my favorite track on the album. This song is almost impossible not to dance and sing to; I love the tribal drumming and sticky sweet backing synth. I LOVE the crescendo the song grows to at about 1:25 in; it is epic!
Another free song offered on the UK iTunes, I Go I Go I Go is a fresh, and hip dance rock track for summer as well. It really reminds me of awesome bands like Vampire Weekend, and even the Lightning Seeds. This track is as fresh as recently laid out produce, and I have been loving it more and more with each listen. I LOVE when I find random, awesome tracks like this. Thanks UK iTunes (even though I couldn’t buy it/get it for free like the other UKers)!
This one is a “discovered while my ipod was running on shuffle” track. I added Safetysuit’s album, Life Left To Go, a while ago, but I hadn’t gotten around to a real listen. This track really stood out to me during the shuffle, and hearing talent like this really confuses me even more why people still love bands like Nickelback. If you like their “style”, Safetysuit is doing it, only better, and without the repetition (admit it, all of Nickelback’s songs are the same!! Stop the madness people!). I, for one, am glad that I found Safetysuit, and this great track (which really reminds me of what I LOVE about Our Lady Peace; the story telling, unique male vocals, and blaring distorted guitars). I only wish Safetysuit were getting the publicity that NB is.
I’m going to be totally honest: I didn’t care very much that he was even in the top 10 on American Idol. Yes, I thought he could sing beautifully, but since he wasn’t a “front runner” in my eyes, it was easy for me to ignore him. However, being that I definitely think AI has gained a really credible means of spotting true talent over the seasons, I wanted to check out his release when I saw it on iTunes earlier this week. Well, this song, the first track off of the album, has all of the vocal grittiness of Daughtry, with a tendency to lean more towards a Take That style (not to mention that it sounds A LOT like their amazing track, Rule the World). Overall, if for no other reason that I found this great track, I’m glad that I gave Michael another chance. 