21: Biffy Clyro – Only Revolutions 
This album was probably one of my biggest surprises in 2009; considering that I had never even heard of Biffy Clyro before the midpoint of the year. I love it when I stumble onto new bands, and when I first heard The Captain, I knew I had stumbled onto a great one (a find that I happily bestow credit to BBC Radio 1!). Perhaps my favorite thing about Biffy Clyro is the complexity of their melodies and song arrangements. They do the “typical” rock and roll thing, but they craft their songs in such a way that you never know which way it is going to go; there are so many intricate elements in the layering of instruments, and the arrangement can often turn on a dime (they continually utilize unique time signatures that can change within a song). Not only do I love the way in which they make music, but the lead singer’s voice and especially his accent are both down right beautiful. On Only Revolutions, Biffy Clyro have made many songs that are clearly built with a careful attention to detail that is nothing short of impressive; I can’t even imagine how difficult some of these songs must be for them to play. The result is an album that utilizes essential elements of guitar-driven rock and roll, and twists them into something unexpected, nuanced, and extremely enjoyable. Standout Tracks: God & Satan, Mountains, The Captain, That Golden Rule.
22: Patrick Wolf – The Bachelor
While I did enjoy several songs from his previous album, The Magic Position, for some reason, it never really resonated with me on as deep a level as The Bachelor did this year (this is a major theme in my life for some reason). However, I never forgot about Patrick, because of his seemingly endless attention to detail and innovation with both his music, as well as his entire persona; there is something about him that I completely respect, because of the way this is reflected in his seemingly care free attitude. He is truly an artist that pays attention to every inch of his music, and broadcasts his personality both in his sound, as well as his appearance. Though he may be avant-garde in nearly every aspect of his style, I find that on The Bachelor, he has also made himself accessible; this album is chock full of extremely well orchestrated pop songs that forcefully push the boundary of pop music today. Patrick captured my attention fully with this album, and I love the unexpected elements peppered throughout the record; such as the brilliant (albeit sometimes creepy) use of Tilda Swinton narrating on several tracks. Overall, he has crafted an almost fairytale-like album, filled with twisting, popping, and dancing narrative-driven music; all of which beg to be devoured and savored to their last drop. Patrick is truly an innovative artist, and The Bachelor is a reflective, and brilliantly innovative album; which you would never know by the badly photoshopped art that serves as the album’s cover. Standout Tracks: Damaris, Hard Times, Blackdown, Thesis, Vulture.
23: Noah and the Whale – The First Days of Spring
Definitely more subdued and stripped down than their first debut, this album steers clear of the uber catchy pop sensibility of tracks like 5 Years Time, and instead, focuses clearly on well developed folk. The result, is some of the most beautiful songwriting to be put to music in 2009. Specifically, the track Blue Skies, is one of the most beautiful songs I have ever heard, and it is definitely one of my favorites from 2009 (it came in at #6 on my singles chart for this year). Overall, the album has a very solemn and raw feel to it, and the band really crafts what seems like a soundtrack to a beautiful film about love (which is most likely what they were going for, seeing as they did a film to accompany the album). I must say, that this album was a complete surprise for me, because I wasn’t really able to get into them other than their first single, the aforementioned 5 Years Time, so I am glad that this album really resonated with me. Some of the songs on here are just breathtakingly sweet, delightfully delicate, and utterly beautiful. Standout Tracks: Blue Skies (song starts about 30 seconds into the clip), The First Days of Spring, I Have Nothing, My Door Is Always Open.
24: Alexisonfire – Old Crows/Young Cardinals
While this is definitely the hardest album on this countdown, I have to say that it was the “softer side” of Alexisonfire that initially captured my attention; well, sort of. Last year, my number one album of the year was Bring Me Your Love by Dallas Green’s City and Colour project; and Dallas just happens to be one of the lead singers of Alexisonfire. Because I adore him, and City and Colour so much, I had to check out Alexisonfire’s new album Old Crows/Young Cardinals when it came out in June. What surprised me most, was that, even though it is stylistically very different from City and Colour, I really enjoyed it. To say that post-hardcore is not my kind of music is a drastic understatement, so I was just as surprised as any of you reading this probably are, because not only did I really like this album, but I knew almost instantly that it would be amongst my favorites for this year. This album is consistently well crafted from start to finish. The blaring guitars, banging drums, and very well written lyrics are driven by the emotive and powerful rock and roll that is echoed in the vocal delivery, as well as the musical arrangement. I also like the they show their softer side (and more of Dallas’ City and Colour-like influence) on a couple tracks, like Burial; which is the track that I would credit as making me initially take notice of this album. Burial may have made me piqued my interest, but it was the energetic all out rock and roll of tracks like the amazing Young Cardinals that had me blasting this from my speakers for months, and enjoying the album in its entirety, more and more, with each listen. My love of this album just goes to show, that if you open yourself up to something new, you might end up really liking it; and in the case of Alexisonfire, I most certainly do. Standout Tracks: Young Cardinals, Burial, Old Crows, Midnight Regulations.
25: VV Brown – Traveling Like The Light
To describe this album in three words, I would use the following: tenacious, energetic, and fresh. VV Brown drifted onto my radar when I heard her massive single, Shark In The Water, and I immediately knew I had stumbled onto something major. Once I had a proper listen of her debut, Travelling Like the Light, my suspicion was confirmed; VV Brown is a very talented musician. If I could compare her musical style to anything, I would say that she is probably best described as a mash up of Janelle Monae and the Pipettes; both of which are musical acts that I truly adore. VV’s take on pop, using big band elements, fresh beats, and her oh so beautiful voice is certainly a wonderful addition to the music I fell in love with in 2009; and it is yet another reminder of just how much amazing music comes from Britain. VV does share a lot in common with the aforementioned Monae, not only in appearance, but in her freshness, as well as her way of using simple, tried and true elements in her music. One thing is certain, however, both ladies are talented in their own right, and there is more than enough room for both of them on my ipod. Standout Tracks: Back In Time, Shark in the Water, Game Over, Everybody.
It’s time for some well placed gushing ladies and gents! This song is completely, utterly, and fantastically amazing. This is the new single from Will’s upcoming release, The Hits, and it is definitely one of his best songs ever; how fitting that it would be recorded for his first greatest hits compilation. Will nearly took the top spot in 
I was torn about posting a Lady GaGa song this week (since by now, everyone and their mother is sure to have heard it), but given the video’s release this week, and how good this track is, I couldn’t ignore it. When I started talking about her, it didn’t seem like many people cared, but slowly, everyone seemed to come into the Haus of GaGa. A little over a year later, and she is a bona fide pop sensation that seems to somehow be picking up even MORE steam. As I hinted at above, this week, the internet has been all a flutter because of the release of her 
It should come as no surprise to my regular readers of the 5SF that I love British pop music, and after hearing this song in BBC Radio 1, I was reminded of just why I love it so much. This song is incredibly catchy, and the chorus will be stuck in your head for hours after hearing it. I only heard of JLS a few weeks ago; apparently, I missed out on their first single, Beat Again, when it was released a few months back. However, with the release of this new single (which is an official UK number one!) that coincided with the release of their self-titled debut last week, it seems that I couldn’t ignore them any longer. While the jury is still out on the rest of the album, this song is getting constant play on my ipod. This song reminds me A LOT of the great pop ballad-type anthems made popular by the Backstreet Boys back in their hay-day (I’m thinking of perhaps their biggest song, I Want It That Way). JLS may have come in second on last year’s X-Factor, but by the sound of things, they are doing quite well for themselves post-X-factor in 2009. 
To say that I was excited for the release of the new album by The Swell Season would be quite an understatement. However, and somewhat unfortunately, the hype must have gotten to me, because I have had a difficult time really getting into it since it was released a few weeks ago. That being said, this song was an instant stand out, mostly because of the beautiful arrangement, and the intricacy with which they weave the melody throughout the chorus. The gentle guitar picking, and the beautiful deep bass, all overlain with the distorted keyboard, comes together to create something truly gorgeous. Add to that the sweet and sensitive vocals of Glen Handsard, and what’s not to love? Nothing, I tell you. This is definitely one of the best tracks off their new album; and perhaps shining some attention on it this week will motivate me to keep trying to get into the rest of Strict Joy (which is good, but I think I hyped it up so high that there was no way I wouldn’t be let down at least a little).