Well, so remember last week when I promised a 5SF for this week? And remember how it didn’t happen yesterday? Well, my bad. To make amends, I offer it up a day late, and as such, offer up the first five song Saturday that I believe I’ve done. All in all, a day late isn’t all that bad, now is it? Let’s do this, then!
William Fitzsimmons – So This Is Goodbye (Pink Ganter Remix)
On Thursday night, I dragged my fat ass out to spin class, and while I was suffering through a particularly difficult class, this amazingly beautiful song came on. Being friends with the instructor, I asked her if it was indeed a song by William Fitzsimmons (who usually does almost whisper-driven folk), and I was pleased to find out that it was. So, as soon as I got home, I was happy to find it on iTunes, yet I was a bit bummed to find that it was on his last release, Derivatives, which was an entire album re-working of some of his previously recorded songs; mostly because I all but ignored it when it came out. I am all for remixes and whatnot, but a lot of the time, they don’t work out as well as people planned, and at the time, being in full nursing school swing, I wasn’t obviously in the mood for his album of reworks. Shame on me! Shame on me big time. Because I ignored the remix album, I missed this bonus new track, and this, its beautiful remix as well. Oh well, at least i found out about it eventually. It’s incredible.
Ry Cumming (feat. Sara Bareilles) – Always Remember Me
I’ll openly, and gladly admit that the way I found this song, was the featuring of the amazing Sara Bareilles. I saw it under her listed songs on iTunes, and after one listen, I was in; this song is incredible, so I can see why she would have gotten involved. Ry’s voice is gentle and beautiful, and the delicate picking of the guitar and sweet serenity of the violin throughout the track are delightful, and the tender lyrics are beautiful. What a delightful, albeit random, find; but you know me, I love wonderful surprises, especially if they are musical ones.
30 Seconds to Mars – Closer to the Edge
I KNEW that this album would have more in store for me musically than the amazing lead single, Kings and Queens; and I knew that it wouldn’t be in time for this album to potentially find its place amongst my favorite albums of 2009 (since it came out only a couple of weeks before the end of the year). On that front, it may be kind of a bummer, but at least the music is still around, and this latest single is incredible, and I cannot get enough of it. The energy is heavy, and the haunting vocals and combo of electronic and rock music makes for a great, radio-ready single. I love Jared Leto’s vocals, and here he is doing what he does best, again. The only thing I could do without is the inclusion of choir of what seems to be kids (even though I am pretty sure it is fans); eh, can’t win ’em all, can you?
Selena Gomez & The Scene – Round and Round
I HAD to post this one, because I want to get something off of my chest about it. For some reason, I wanted to hate Selena Gomez, and for a while now, I kind of have. I don’t know why, but I just have. With that being said, I recently heard this song for like the 10th time, and yet again, I didn’t want to like it, but low and behold I realized something; this song is actually quite brilliant. Not only is it catchy and super saccharine sweet, but it shows the total likability of Selena Gomez, and it highlights probably the very reason I didn’t want to like her. Well, obviously, that was a futile battle that I am happy to finally concede defeat over. Now, I can enjoy this sweet decadence in peace!
Robyn – Hang With Me (single version from Body Talk Part 2)
I don’t have much to say other than more brilliance from our resident ruling queen of pop. Robyn has churned out another amazing single, one that I am already proclaiming one of the best of 2010; which, along with Dancing On My Own, that takes the count of over-the-top amazing singles up to 2 for 2010. I am glad that there is someone out there like Robyn who truly knows how to make amazing music, and has the chance to share her amazing, unstoppable pop brilliance with the rest of us. It seems I will always be in a place of excitement over what she might do next; after all, her track record has been pretty spotless, and she continues to exceed all of my expectations rather effortlessly. I will continue to heap praise on her as long as she deserves it, and from where I’m sitting, that is going to be a pretty long time.
Well, that was nice, wasn’t it? What did you think of my choices? Any suggestions for me? Let me know in the comments!
I have been known to gush incessantly about some songs, but I try my best to reserve that for those that I am totally and utterly blow away by. Well, ladies and gents, this is one of those songs, and I am going to nothing short of tell everyone I know about this one. This song is immensely beautiful, and the arrangement is perfect. It is so good that I have to admit that I was actually kind of surprised by it. While I really liked their last album, this towers so high over anything they have done so far, that there really is no way that it wouldn’t take a fan even more diehard than myself by surprise. Don’t get me wrong, this is not a dig in any way to their previous work; they have some brilliant and amazing stuff out there already, but this song hits like the ultimate crescendo. Jared Leto’s voice soars alongside the building riffs and sends chills up my spine when he hits those high notes and sustains them so pitch perfectly. This takes everything they have done before and perfects it. I can’t heap enough praise on this track, and I cannot wait until their new album comes out; because if it is anything like this, it is going to be utterly brilliant. Simply put: AMAZING. 
I had a bit of a twitter/facebook snafu yesterday when I proclaimed my love for this song; when I accidentally said I liked Robin Williams’ Bodies. Well, let’s clear that up; THIS is the Bodies that I am heaping my praise on (well, I wouldn’t mind heaping some praise on Robbie Williams’ (not Robin Williams) actual body, but that is topic for another time and another place). Overall, whenever Robbie releases a new single, I always want to like it, and sometimes I do, but when I first heard Bodies, I didn’t. I think it was the hard distortion sound that accompanies the beat that turned me off at first. However, I have heard it a few times, and now I see how wrong I was; this song is beautiful and I actually love the hard distortion completely now! I realize now that I didn’t give it the chance that it so rightly deserves. This song is catchy, the arrangement is excellent, and Robbie’s voice is as beautiful as ever. 
I don’t know which part I am in the most awe over, that the Saturdays released a whole new album just a year after their really great debut album, Chasing Lights, or that it’s probably an even better album than their first. Take this song for instance. Wow. Let me say that again, because it bears repeating, WOW. These girls have clearly taken all of the thunder both Girls Aloud and the (possibly new defunct?) Sugababes once had, and have channeled that tenacity into truly fantastic girl-group driven pop. I will admit that while the ho-hum first single (I’m not saying Forever is Over is bad necessarily, it just isn’t as good as every other thing they have done, IMHO), and the weird title (Wordshaker) of this album had me less than interested in downloading it, BUT after a few listens, I have to say that there isn’t a bad track on their new album. This song in particular blew me away, and I instantly wanted to hear it again once it ended. These ladies have proven to be some work horses, quickly and consistently turning out great pop albums, and based on the quality of work they keep releasing, I certainly hope they can sustain this momentum for a long time to come. Let’s just say that I have a strong feeling that their new album will be included in 2009’s annual countdown of my favorite albums.
Some of you probably wonder why in the hell I would be posting a Spanish song, but trust me, this song took me by much more surprise than you could possibly have for me featuring it. I have had a love hate relationship with Nelly Furtado; mostly, I LOVE all of her older stuff that I felt was more “her style”, and I practically HATE everything she did with Timbaland. I remember when Promiscuous came out, and I really liked it at first. However, that quickly turned to disdain, because with each subsequent single, I felt the Nelly I instantly fell in love with back in 2001 with I’m Like a Bird was completely gone. That troubled me, and as such, I kind of started ignoring her. It wasn’t until I saw the video (
Even though I am a fan of American Idol, I can’t say that there are many of those kids that I avidly kept following after they left the show. Katharine McPhee is one of the notable exceptions. After delivering an amazing, if not totally ignored (