So, I’m sure that you’ve probably noticed that I don’t blog much outside of my weekly five song Fridays anymore. While part of it is because I have been in a funk for a few months, and don’t really have much to say other than “eh”, I blame, in part, the deliciously addictive twitter, and the sense of community it creates. It’s like IMing, but without the urgency of an immediate reply, or the need to stay online. Add to that the fact that you can tie your twitter to your facebook, so that it updates your facebook status, and you have a powerful web app that brings even more nonsensical information to the masses (well, to the masses that follow me on twitter, and/or are friends with me on facebook). It makes me feel even more connected, and in a way that my blog never could, so for that, I tip my hat to twitter. However, with all of the good, there is always a bit of “bad”; I fear that twitter will eventually phase out blogging, or at least, relegate it to posts that give real information or something worth taking the time to write about. I used to use livejournal for the nonsensical stuff, but now, I find myself addicted to twitter. Every morning, I check my twitter feed, and I even have a firefox plugin (twitterfox) that so neatly alerts me of each and every new tweet. Also, it’s just fun to say things like twitter and tweet; it’s like baby talk… for nerdy adults!
Ladies and gentlemen, welcome to the world of the easily digestible, fast and loose communication stream. Twitter, I wish I could quit you, but it seems you are here to stay. Alright, I’ve spent enough time writing about twitter, I have to get back and check it!!! If you aren’t already following me on twitter, be sure to add me; I have become a twitteraholic, practically overnight.
On a final note, this does not mean in any way, shape, or form that the blog will come to an end. I have this domain booked for like 5 more years, and I actually love having my own little home on the web, so it ain’t going nowhere. It’s just got some competition for my ADHD-driven attention!
This is one of the many songs that I hear when I am out at Mary’s, and I completely diva-out (finger wagging, lip syncing, and tossing my imaginary hair about). It is a FIERCE track, that is a complete middle finger brandishing kiss-off, with a great backing dance beat. I like the juxtaposition of throwback soul with the electronic pops and beats, and it is very well done on this track. This song is best when played loud, and with plenty of room to point your finger and wave it about fervently while you tell that man to enjoy his new bed. Hmpf! This is seriously one of my favorite songs, and I can definitely listen to it on repeat. Sing with me: good luck good luck! HA! I would also suggest checking out the video, because it is very Jackie Brown, and fierce in its own right.
I featured a Kate Miller-Heidke track some time ago, and late in 2009, I got kind of excited because she released a new album. However, I initially had a difficult time getting into that album, and it didn’t help that it came into my life about the time I was compiling my year end best of list. Well, as I mentioned above, I have been trying to give more stuff a real chance, and so I decided to give new album another go, and I was pleased to find this absolutely delightful song this time around. She has a very interesting voice, and she has this whisper-ish, baby-like way of singing that makes this an especially sweet brand of pop. The narrative style of her song writing is genuine and sweet, and goes really well with that singing style. Overall, I love the arrangements of this adorable little song, and I am very glad that I went back for a second listen.
Sometimes, I start to hear a song, and I am ready to move on, but something about it makes me want to see where it is going. This is extremely rare, because usually, a song only has about 30 seconds to impress me. However, that is exactly what happened with this song; I didn’t like the first 25 seconds that much, but around 38 seconds, it really picks up, and turns into a beautiful folk-pop track. The vocals are very reminiscent of one of my favorite folk artists, Feist, which only makes me like it more. When the guy joins in, it makes for a sweet collaboration, and it only continues to progress into a great track. I’m really glad that I waited long enough to let this song show me how good it really is; because now I have been hooked, and I have quickly come to love it. 
Wow! This song is amazing. Levi is like a gay Harry Connick Jr., and by all accounts, should be just as famous. After doing a little internet research about him, I have found out that he was raised in the south, and struggled with coming out in much the same way I did (even though he went through A LOT more than I did… he went to one of those de-gaying camps. Yikes!). Knowing that makes it even more impressive that he has come so far, and despite all of his set backs (getting kicked out of college because he was outed, and being dropped by a Christian music label, presumably because he’s gay), he is still using his amazing gift to make beautiful and inspiring music. I love the slight country twinge to his voice, and the tenderness with which he sings. His piano arrangement for this song is truly beautiful, and really reminds me of amazing pop songs like fellow out artist, Ferras’ Hollywood’s Not America. There is a tenderness in this track that brings a flair of down home gospel into the mix, and makes it a true anthem that comes straight from the heart. 
Damn. This song is 1000000% diva. After Jennifer’s CD came out last year, I pretty much knew it would make my year end list, and low and behold, it did. There is something about her voice that I cannot get enough of; it is an instrument, and she harnesses it beautifully. This is probably my favorite song from the album, and lately, I have been listening to it more and more. In doing that, I have really seen how amazing this song really is; the arrangement is stellar, and the subtle ways she weaves the emotion into the track with her undulating voice is simply outstanding. I am glad that JHud is getting the attention that she deserves, and I have to say that it is pretty amazing to be here to witness the birth of a true diva’s career. 
I’ll be honest, I almost didn’t like this song originally on principle; I have this strange aversion to those winy emo bands. They all sound alike for the most part, so every time AAR would come on the radio, I wrote them off as just another one; that is, until I saw the video for this catchy little song. I loved the video, and found myself tapping my toe and really enjoying the song. Over the past month, I have played it more and more, and thought it would be perfect for this week’s 5SF. I guess it goes to show that you should really give everything a chance, because you might just find something you really like in an unexpected place.
By all accounts, I should hate this song. It is almost Jack Johnson-ish in its hippie-love strummy guitar nature, but something about is infinitely more sweet, touching, and saccharine sweet. I have liked Jason Mraz since his debut, but I didn’t really get into his most recent release, We Sing, We Dance, We Steal Things. However, this song is a complete ear worm, and every time it played on XM, I found myself singing a long, and eventually I downloaded it. Since then, I realize how much I love this song, and typical to my personal experience with Jason, this song gets all the love, and I seem to lose interest for the rest of the album. Perhaps I will change my mind at some point, but in the meantime, I have definitely been enjoying this very sweet song. I think a big reason that I haven’t gotten further on the record is because of his duet with Colbie Calliat, who, for whatever reason, I cannot stand. Oh well.
I almost can’t believe that this song is showing up on a 5SF, because I thought I was done pimping Jesse back when I talked about the amazing song Leavin’ earlier last year. Well, low and behold, the boy made a pretty interesting video for this song, which just happens to be one of the best on his album, and I have been inexplicably hooked again. I know that the lyrics may be as trite as can be (when you call I’m pressing 7/don’t want to hear your messages messages), but dammit, the hook is solid, and this is a well produced pop song. I love backing music of the track too, very haunting and beautiful at the same time. For some dumb reason, I don’t want to like this kid as much as I do; maybe I should just give in already and just enjoy the ride!
Last weekend, we were out at the bar, and the VJ was spinning some great songs, and he played a Kelis track that led me to want to hear more from her. I picked this song for this week’s 5SF, because in my opinion, it’s one of her best, and I just love how much anger and “kiss off”-ery is portrayed in the lyrics and the excellently shouted hook “I hate you so much right now!”. This song just rules on so many levels that it is a “classic” song that I am glad to have rediscovered. How Kelis isn’t bigger than she is (especially with massive songs like Milkshake in her arsenal) is beyond me. Also, I feel compelled to note how incredibly beautiful Kelis is… damn, she is smoking hot!
While this song was another “old” favorite of mine that the VJ played last weekend at the bar, it was hearing it on BBC Radio 1 randomly this week that made me finally go and download this dance floor filler. I love the beats and the synth how it builds, and then breaks it down; so much fun for my ears. I also suggest that you check out the video, because it is such a great time; ladies in afros dancing about and playing instruments. What’s not to love!?! I am just glad that I finally got this one on my ipod; I’ve been meaning to download it for ages, and kept forgetting. Well, if that is the case for you as well, then hopefully this reminder about this great track will encourage you secure it for yourself as well!
Last month I was catching up on one of the best shows of the 2008 fall season, Fringe, when I heard this song playing in the background during a specifically sweet scene. I was instantly thinking that I had heard it somewhere before, and I realized that it was the amazing Ray LaMontagne, and that I had in fact heard it, and that it was on my ipod! Well, cut to this week, when I realized that I hadn’t featured this song yet, even though I was just sure that I had, because it is so amazingly brilliant; what was I thinking? To rectify this gross error on my part, I made it a priority to get the word out about this song right away. This song is so sweet, tender, and powerful that Ray really tugs at your heartstrings as he gently begs to be the one that you choose. I love how simple, yet powerful the lyrics are in this song, and Ray’s smoky vocals really bring the emotion to the forefront. This is definitely a song I would already consider amongst my all time favorites; it’s truly that amazing.
I have been listening off and on to this one for a little over a month now, and for whatever reason, it never made it to 5SF because other stuff kept bumping it. However, that doesn’t mean that it is anything less than a quality track, and a total 80’s theme song at that! Seriously, this song is so retro eighties emo-before- it-was-emo that it isn’t even funny. I could really see this on an eighties soundtrack to some movie like Pretty in Pink or something like it. I love the subtle tones of the song, and the lead singer’s vocals are just sweet to my ears. I do think it is interesting that he looks like a brother, or at least a very close relative, of Tim Curry, however. Does it make you shiver with antici….pation?
After one listen to her most recent release, Human, I kind of wrote it off as an ‘alright’ album, but it didn’t really resonate with me at first because of the attention my massive year end reviews required from me. Well, one of you asked me to give it another listen, and I did; there are some solid tracks on this record, and in typical Brandy fashion, she has picked some stuff that really sounds great with her voice. This is probably my favorite song on the album, as it is a solid and beautiful love ballad. I could completely do without the interlude that precedes it, though, so I deleted that from my ipod. I’m glad that it was suggested that I give this one another go, because I definitely liked it a lot better on the second spin. 
I recently saw that Christina had a new remix out for this very song, and while I like the remix, I always feel like I should listen to the regular version, and in this case, I liked it even better. I have been a fan of Christina’s since her BRILLIANTLY amazing single, AM to PM captivated me a few years ago. Well, for whatever reason, she doesn’t seem to be able to make a big splash in the US music scene (well, Dip it Low had moderate success, didn’t it?), even though this is her home turf; but that hasn’t stopped her from making some solid pop music and disseminating it elsewhere. This song is from her upcoming album, and if it is as good as this lead single, I really hope it gets a proper US release, because I want to hear more from Ms. Milian.
BIG SHOES. That is what Kelly Clarkson has to fill with her next album; especially after the debacle that was her not-so-hot previous album, My December. Well, earlier this week, she released her new single (Since U Been Gone II!!!), and I have to say, that I quite like it, and I think that she might be able to fill those shoes after all. At least, she is definitely going in the right direction; this is a slick pop track that harnesses her voice beautifully, and really reminds me of the Kelly that I fell in love with back in 2003, and even more so in 2004. I has been a while since she’s had a proper hit, and I think that if the rest of the album is anything like this track, then she might have another go at the top of the charts later this year. Here’s hoping we’ve got our old Kelly back… because by the sound of this song, I think that we just might. My ONLY gripe about this song, is that the chorus feels like it’s missing something… I feel like she should say “tonight!” or “today!” after “my life would suck without you…” (tonight). See what I mean?