I have stated at least once before on this very blog, that Smashing Pumpkins’ sophomore album, Siamese Dream pretty much shaped how I felt about music; and it was one of a couple albums that signaled the beginning of when I truly started to appreciate and enjoy music at the level that I do now. Before it, I never really payed enough attention to music, and mostly, I only listened to whatever was on the radio. Barring a few “favorite songs” here and there, I actually owned very few albums (it was mostly tapes at that time!), and honestly never bought an album for anything more than a song or two. However, that all changed when I saw Smashing Pumpkins’ videos on MTV. I liked every song that I heard, and this album was one of the first ones that I received in my very first BMG shipment. After hearing Siamese Dream, it was almost like I had an awakening; I had gotten a taste of wonderful music, and it would be from then on, that I would crave more and more (it was also Smashing Pumpkins’ music that motivated me to learn to play guitar). Literally, from that point on, I became almost obsessed with music; an obsession that has followed me until today.
Spaceboy is not only one of the best songs on Siamese Dream, I have no qualms in declaring that it is one of the best songs by the Smashing Pumpkins. The song is a touching tribute Billy Corgan wrote to his brother, and the sentiment of the words are echoed in the tenderness of the music. For me, this remains one of my favorite songs of all time, and hearing it really takes me back, and reminds me of the time when I truly learned what good music was all about. With all of that greatness, how could I not share that with you?
Since it was never a single, there isn’t a video, but, I found it on youtube, uploaded with a blank video, which I think is absolutely perfect:
In doing so, the person that uploaded it, has allowed you to focus on the music, the lyrics, and the sentiment that makes this song such an experience. Spaceboy is truly, a magnificent song, and is a wonderful addition to the song of the day catalog.
This song isn’t actually on Florence + The Machine’s impressive new release, that is, unless you managed to get the deluxe (or extended?) edition, which is a shame, because this is hands down, the best song on the album for me. I love the way that it starts so soft, and the way that she builds with the beating drums and the pounding rhythms to crescendo; only to instantly screech to a halt and bring it back down again. The ache and wailing of her voice is nicely coupled with the sharpness of the beat; all of which make this track stand out more than any other on the album to me. Definitely a great reason to get the deluxe version!
I was checking out Sara’s website earlier this week to see what she was up to recently (I am wanting a new album soon, after all, I really love Sara B as you should all know by now), and she posted that she had collaborated with Ryan Tedder on this track and that it was now available on iTunes. One listen, and I can see why she was spreading the news; it is a beautiful song, and per usual, her vocals are amazingly beautiful. I have this weird relationship with Ryan Tedder, in that I like SOME of his stuff, but overall, I’m not what I would consider a fan. However, you put Sara Bareilles on the track, and I AM THERE. Beautiful song (even if I think she out sings him by a long shot…).
The vocals of this one remind me a bit of Biz Markie, but after seeing the video, I love how this nerdy white boy is laying down smooth classic R&B like this, and doing it so well. The music style reminds me a lot of the Delfonics, and I think it really does a great job of bringing such an amazing classic sound back into the limelight. Something about this song is just really sweet, and full of a sentiment that made me instantly love it. While the song has been out since last November, it just came across my desk this week, so I am delighted to pass it on to you.
It was kind of weird how I discovered Greg Laswell. I was supposed to go and see the AMAZING Elizabeth and the Catapult earlier this month at Edie’s Attic, and unfortunately, I bought tickets before I knew James and I were going out of town for a wedding. I put the tickets in a friend’s name, and went to see who else was playing with them to give her the heads up before she went. That’s where I saw a picture of Greg, and if you know anything about me, you would know that I am a sucker for a guy with a beard, so I instantly knew I had to go and check him out (even though I unfortunately wouldn’t be seeing him live). Well, I downloaded his most recent release, Three Flights from Alto Nido, and I was impressed with how beautiful an album it is! I love his musical style, which is very similar to Mat Kearney and even has touches of Hayden and Duncan Sheik to it. All in all, I discovered a new artist that I really like without even seeing him in concert, because I was supposed to go to the show, and couldn’t! Weird? Yes, but the music is fantastic, and at least I got to take that away from it (I wish I could have seen him live though).
Here’s my blast from the not-so distant past track for today. I realized this week that I hadn’t listened to Fiona Apple in such a long time, and as a huge fan of hers, I was wondering why, so I decided to remedy that. Well, after listening to Extraordinary Machine again, I recall just how happy I was 
I resisted La Roux for quite a while before she clawed her way into my heart with that shrill-ass voice coupled with a velvety smooth beat. While, as I mentioned, the vocals are something to definitely, um, “get used to”, the music is not. This song is definitely one that begs to be blasted from every car stereo as you drive about in the summer heat, and promises to fill dance floors throughout the land. The uber-catchy quality of this song is what allowed me to give it chance after chance, and eventually get used to the vocals (which it may seem that I am harping on, but cannot stress enough, you will get used to); the music is too fucking good to let it get in the way. This is definitely a “song of the summer” for sure.
Another massive song from Peter Bjorn and John, It Don’t Move Me didn’t “move me” when I initially nabbed their follow up to the wildly successful Writer’s Block. The album is noticeably darker, and the beats are almost angrier; but underneath, the same attention to detail and high quality music is clearly present. This song definitely shares more similarity to the songs from Writer’s Block than much of the rest of Living Thing, but it shows a musical maturity that is not only welcome, but totally refreshing. It has made me pay closer attention to Living Thing, which has turned out to be a good thing; fantastic, well crafted songs like this, are what make listening to music one of my favorite past times. 
HELL FUCKING YES, Imogen Heap is BACK! WAAAAY back in 2005, Imogen released her stellar sophomore album, Speak For Yourself, and while I didn’t hear it until some time later, it completely blew me away with how amazing it is. The most amazing song on the album, Hide and Seek, made me fall deeply in love with Imogen’s unique voice, and the manner in which she creates music that is not only beautiful, but unique and interesting. The rest of the album resonated very well with me, and made me a huge fan of her sound, and had me waiting with baited breath for a follow up. Well, that follow up is just on the horizon; her new album Ellipse will be released the day before my birthday, August 25, 2009. This is the first, and quite fantastic, single from the new album, and it harnesses her trademark sound from Speak for Yourself. If this is an indicator of how fantastic Ellipse will surely be, I expect it to be amongst my top albums of this year.
This is the little song that threw its lasso around my heart, pulled me in close, and comforted me like a warm blanket on a cold night. The tenderness of Toby’s vocals, coupled with the sweet folk-pop music makes for a beautiful ballad; one that only gets better with the super sweet sentiment of the lyrics. I should also say that there are several words that just make me happy when I hear them, especially in songs (for whatever reason, I don’t know…), and unfurled is one of them, and he uses it in the chorus; which obviously makes me happy. This is a sweet song with great sentiment, and highlights the surprising power in Toby’s vocals. It was a great random find.
I am going to go “old school” with you on this one. I discovered this song from an amazing little movie that most people have never even heard of: 
I was just listening to my ipod on shuffle, and a song from Daniel Bedingfield’s sophomore album, Second First Impression came up, prompting me to give it some well deserved attention this afternoon. I can’t believe that this record came out almost 5 (!!!) years ago, and there hasn’t been anything new from Daniel in that amount of time. This is one of those records that, for whatever reason, they never even bothered to release in the US, and it boggles the mind as to why; his sister is a huge success here in the states, and Daniel even had a few hits of his own accord! As I sit here listening, I have to scratch my head and wonder why we completely abandoned him when he released a sophomore album that was even stronger, and showed a musical growth that made it better than his initial release?! 
I wanted to post about this song, not only because it is incredibly beautiful, but because it really means something to me. LeAnn Rimes’ What I Cannot Change so succinctly sums up such a major issue for me, and does so with such elegance and grace, that it can’t be ignored. One listen to this song instantly gives me chills. It is one of the most beautiful, simply stated, and well put sentiments put to music that I have ever heard. 
Every once and a while, I come across a song so amazing and beautiful, that it literally gives me chills. This is one of those songs. The delicate guitar picking, the haunting vocals, and the gentle-folk quality of this song are pure perfection. The vocal arrangements of the singers is almost choir-like in its nature, but instead of sounding like church music, it comes across as a beautiful ballad with intricacies that make this a truly amazing find. I love it when I come across songs like this, and I realize I have stumbled onto something incredibly beautiful; which unfortunately, doesn’t happen very often. I couldn’t wait to post about this one!
Here is yet another song that I randomly stumbled onto this past week that completely took me by storm. I discovered Marina and the Diamonds by watching the the video of this song (
I don’t know what it is about this song that I love so much; the throw back sound, the weirdness of the oooo’s and ahhh’s, or the quirkiness of the track in general. It reminds me of bands like The Shins, Peter Bjorn and John, and even Vampire Weekend; all of which posses that interesting weird-ish quirk that intrigues me, and in this case, makes me love it. I saw how much hype was surrounding these guys earlier this year, and I scoffed at the time, but after hearing Two Weeks, I am definitely going to reconsider my position. 
What do you get when you take the vocals of someone very similar to Amy Winehouse, and instead of a throwback sound, you mix it with an truly danceable, pop-rock with almost and island feel to it? Why, you get this song!! I instantly loved the energy and the amazing vocal prowess VV Brown conveys in this massive song. I am sure that the UK radio will be burning up this track this summer (too bad it most likely will NOT make it to radio over here); as well as whatever is attached to my ipod. 
This song instantly struck me for its hat tip to the intense side of classic rock, but stood out because of the unique pairing of the male and female vocals. The song literally sounds to me like Chrissie Hynde joined the White Stripes; and in the process, made a fucking kick ass single. I am definitely keeping my ears open for whatever comes next from Band of Skulls, because this song is truly fantastic (I haven’t gotten to the rest of the album yet… so many songs coming on my radar right now!!!). Also, is it just me, or is the drumming on this track like a sick, amazing heartbeat-like rhythm that begs to be danced to?