Yesterday, I finally got my trusty DSLR out and finally took some new pictures. Deb, Tina, and I went down to the always interesting Little Five Points, and I took about 200 pictures. Look for them to pop up slowly on flickr over the next few weeks; I don’t want to run out of new pictures to post by dumping them all on at once!!
I hope that everyone is having a great weekend. I have been listening to new music by Goldfrapp, Sia, and the pop-trashy Marie Picasso. Exploring new music can definitely take you down some interesting avenues. I really like Sia’s new CD, but it really reminds me of Nicole Atkins, only way more mellow. I have to say, that it made me want to listen to Nicole; which I promptly did. Man, music sure can be fun, can’t it?
Anywho… hope everyone’s Sunday goes by very slow… Monday is never a fun time!
Drum roll please… we have made it to the top of my list of the 31 best CDs of 2007!! I am sure that my number one pick will not come as a surprise to those that know me, and to even those that follow this blog regularly, because I have been screaming like a school girl with excitement about 
is one of the most well crafted albums that I own, let alone discovered in 2007. From the first time I listened to this record, I was hooked by the new catchy songs like Love Song and Bottle It Up, which both serve as frustrated anthems from an artist struggling to get the music industry to just let her perform the way in which she does best. I was welcomed by fresh retakes on songs from her “demo” record, Careful Confessions, which I have been clinging to and playing on repeat, since the night I scored it for $5 at the concert I first saw her. What’s so fantastic about each and every one of those re-takes on her already amazing songs, was that she managed to make them better; which is something that I didn’t think was possible, because of how much I liked the “demo” versions. What’s even more amazing, is that songs like Vegas, which I had only been familiar with the live demo cut, quickly became one of my favorite songs from 
As I said yesterday, it was really hard to rank the number 2 and 3 spots, because both records are so wonderful, that I really love them both about the same; however, Feist’s 
does have a sliver of an edge, which makes it number 2 on my list. Feist is one of those “obscure” artists that burst onto the scene this year, with a little (okay, a LOT) help from a small company called Apple, and one of their ads for the rarely sought after iPod. With Feist’s infectious pop hit 1234 blasting on every TV commercial for the mp3 player, and her music gaining more attention because of this exposure, it is no wonder that I took notice. Even after many people had suggested that I might like Feist, I’ll admit that it still took all of those ads for me to finally listen; and I am really glad that I finally did. What I got by paying attention was a brilliant album from a truly talented artist, and a record that I have listened to incessantly ever since I got it.
I originally heard of Kate Nash through one of those random “Now!-type samplers”, where the song Foundations was included. After hearing it, I was hooked; and I knew I needed more. What I got, was an amazing CD, chock full of interestingly told stories about childhood rebellion, lovers professing, and missed love connections. Kate is one of those really rare singers that crafts these everyday stories into songs, and does so in a way that defies the conventional way of writing a chorus, refrain, and following a typical song pattern. What happens, is you get crafty songs like Birds; which is full of strangely chosen sentences and weird ways of describing love that come across as both sincere and heartwarming. While some may be off-put by this alternative method of “waxing poetic”, I think that it really shows depth and a level of interestingness that is definitely a welcome thing in today’s music scene.
Despite criticism for choosing some albums that were “officially” released in 2006, yet did not actually see official US releases until 2007, I am going to risk further criticism and bring you another amazing CD that was released recently (finally) here in the states; The Pipettes’ debut album, 
With the American release of their record back in October, they reworked several of the songs, making them even more crisp than they were previously (if that is really possible), updated the cover art, and even added a couple of extra tracks; one of which quickly became one of my favorite songs from the Pipettes. This album is definitely one of the best records released in either 2006 or 2007; and since it debuted stateside this year, here she is, near the top of my list. 
It’s the final five, y’all!! Coming in at number 5, is the current album by Rilo Kiley, titled, 
First, let me start by saying that I honestly didn’t care very much for this album the first time that I heard it. I ended up getting it, because of my deep love for the opening song, Silver Lining, but something made me give the album more than a few spins. After each spin, I found something more that I liked, and after a while, I really realized how great this record is. I love it when something comes across as odd or off putting in the beginning, only to grow on you, and become a favorite; those are sometimes the best albums in your collection.
As the list gets closer and closer to number one, it gets harder and harder not to just foam at the mouth, and gush incessantly about how great these CDs are; but for the most part, just understand that I am trying. Up today, at number 6, is the fabulous third album by Aussie bombshell, Delta Goodrem, titled simply, 
Having been a fan of Delta’s for some time now, I was eager to hear her new album when read that it would be coming out late this year. What I didn’t expect, was that it would be so amazingly good. While I have liked her records in the past, they have lacked an overall consistency that Delta totally delivers this time around. She molds a pristine pop record, and gives herself completely in each track. 
In at number seven, is the amazing sophomore album 
by the Orange county pop-rock quartet Melee. Melee is more than just another one of those emo-punk-pop groups from California; these kids have some amazing talent, and it shows on each one of the songs on this great record. With perfectly polished rhythm, great song writing ability, and production value through the roof, you are really in for a treat when you pop this album into your player. The singing on this record is also a major treat, with all of their beautiful voices melding together in perfect harmony. This is something that puts them amongst my favorite singers in my vast music collection.