As you may notice, there is no five song Friday occupying its regular slot this week; I have had a really bad week (from being sick to the hot water heater woes to school work overload), so I am taking a break. I need to write up my concert experience from Mat Kearney last Friday at the Center Stage (it was amazing), and edit like a million pictures I took at the show too, but I just don’t have any energy. Being sick is not something I do well, and hopefully, I will be back to full strength soon enough.
Hopefully, my weekend will be better than my week was.
With that being said, there is some great news that may signal a good weekend ahead: The Senate approved the Matthew Shepard and James Byrd Jr. Hate Crimes bill on Thursday. While it bothers me somewhat that there were 29 who voted against it, I am more than happy this important legislation passed through the senate, and is on its way to becoming the real deal when Obama hopefully signs it into law. For those naysayers, I hope that you understand that the reason why it is important, is because these safe guards are already afforded to everyone else EXCEPT gay people. This is a real step in the direction towards gay people having equal civil rights, and it should be celebrated. Here’s to civil rights and equality for all… including gay people!!
I have been known to gush incessantly about some songs, but I try my best to reserve that for those that I am totally and utterly blow away by. Well, ladies and gents, this is one of those songs, and I am going to nothing short of tell everyone I know about this one. This song is immensely beautiful, and the arrangement is perfect. It is so good that I have to admit that I was actually kind of surprised by it. While I really liked their last album, this towers so high over anything they have done so far, that there really is no way that it wouldn’t take a fan even more diehard than myself by surprise. Don’t get me wrong, this is not a dig in any way to their previous work; they have some brilliant and amazing stuff out there already, but this song hits like the ultimate crescendo. Jared Leto’s voice soars alongside the building riffs and sends chills up my spine when he hits those high notes and sustains them so pitch perfectly. This takes everything they have done before and perfects it. I can’t heap enough praise on this track, and I cannot wait until their new album comes out; because if it is anything like this, it is going to be utterly brilliant. Simply put: AMAZING. 
I had a bit of a twitter/facebook snafu yesterday when I proclaimed my love for this song; when I accidentally said I liked Robin Williams’ Bodies. Well, let’s clear that up; THIS is the Bodies that I am heaping my praise on (well, I wouldn’t mind heaping some praise on Robbie Williams’ (not Robin Williams) actual body, but that is topic for another time and another place). Overall, whenever Robbie releases a new single, I always want to like it, and sometimes I do, but when I first heard Bodies, I didn’t. I think it was the hard distortion sound that accompanies the beat that turned me off at first. However, I have heard it a few times, and now I see how wrong I was; this song is beautiful and I actually love the hard distortion completely now! I realize now that I didn’t give it the chance that it so rightly deserves. This song is catchy, the arrangement is excellent, and Robbie’s voice is as beautiful as ever. 
I don’t know which part I am in the most awe over, that the Saturdays released a whole new album just a year after their really great debut album, Chasing Lights, or that it’s probably an even better album than their first. Take this song for instance. Wow. Let me say that again, because it bears repeating, WOW. These girls have clearly taken all of the thunder both Girls Aloud and the (possibly new defunct?) Sugababes once had, and have channeled that tenacity into truly fantastic girl-group driven pop. I will admit that while the ho-hum first single (I’m not saying Forever is Over is bad necessarily, it just isn’t as good as every other thing they have done, IMHO), and the weird title (Wordshaker) of this album had me less than interested in downloading it, BUT after a few listens, I have to say that there isn’t a bad track on their new album. This song in particular blew me away, and I instantly wanted to hear it again once it ended. These ladies have proven to be some work horses, quickly and consistently turning out great pop albums, and based on the quality of work they keep releasing, I certainly hope they can sustain this momentum for a long time to come. Let’s just say that I have a strong feeling that their new album will be included in 2009’s annual countdown of my favorite albums.
Some of you probably wonder why in the hell I would be posting a Spanish song, but trust me, this song took me by much more surprise than you could possibly have for me featuring it. I have had a love hate relationship with Nelly Furtado; mostly, I LOVE all of her older stuff that I felt was more “her style”, and I practically HATE everything she did with Timbaland. I remember when Promiscuous came out, and I really liked it at first. However, that quickly turned to disdain, because with each subsequent single, I felt the Nelly I instantly fell in love with back in 2001 with I’m Like a Bird was completely gone. That troubled me, and as such, I kind of started ignoring her. It wasn’t until I saw the video (
Even though I am a fan of American Idol, I can’t say that there are many of those kids that I avidly kept following after they left the show. Katharine McPhee is one of the notable exceptions. After delivering an amazing, if not totally ignored (
Britney’s lastest single, the total earworm 3 will in fact 
Clea were a band that came together after the girls met each other during the auditioning process for Pop Stars: The Rivals. While they didn’t win, they managed to release some pretty great pop music together. Clea had some issues with getting an album out, but when they finally did, it was filled with cheesy pop that has been a guilty pleasure of mine for years. This is my favorite song from the album Trinity, and even though Clea are long gone from the music scene, I still absolutely love this song. It is dance-tastic, and is just the type of cheesy British pop that I can’t get enough of right now. 
Rachel was in a fantastically cheesy-but-brilliant pop band called S Club 7 (who I completely and utterly adore!), and after the band broke up (*sad face*), she went out on her own, and released some pretty great solo stuff. Anyone who has been following this blog for a while now knows that I am a sucker for a great cover song, and this one is nothing short of fantastic (even though it isn’t on any of her albums!). Surprisingly, they actually played this on So You Think You Can Dance (last year I think) during a disco routine, and at the time, I was reminded of how much I love Rachel, and miss her contributions to pop music. My recent resurgence of interest in early 00s pop music wouldn’t be complete without a little love for Rachel and the rest of the S Club crew. 
As is the case with many British pop bands, the formula of releasing cover songs is pretty much a standard, and V are no exception to the rule (this is a cover of The Jackson 5’s hit of the same name). However, even though it is a cover, it is cheesy boy-band pop at its BEST (which is probably why that formula is followed so predictably). Around the time the US was pining over The Backstreet Boys and N*SYNC, the UK had a slew of boy bands popping up left, right, and center. V was one of the bands that managed to have a few hits, only to disappear into near obscurity overnight. It’s interesting to me, that right now, there is 
Many of you probably know Emma better by her stage name, Baby Spice; a name that she was given to her when she was in the Spice Girls. However, a lot of you might not know that every one of the Spice Girls kept working on music once the band broke up (a lot of it is brilliant!), and Emma’s second solo album is one of the best of the bunch; there isn’t a bad song on it. Emma was on the early end of the currently growing trend to harness a throwback sound; and in her case, as exhibited by the theme of this album, it was the swanky sound of pop music from the 60s. She had moderate attention in the states with her hit Free Me, which was remixed and made some waves on the dance scene, but Maybe was always my favorite from the album. Hearing this again made me realize just how much I love that whole album, and I’m glad to feature it today as one of my all time favorite British pop songs. 
Arguably one of the biggest of the songs featured on today’s 5SF, this massive song by pop super group Steps pretty much embodies the uber cheesy heart of British pop of the early 00s. Steps were insanely huge when they were making music, and caused quite a stink with their fans when they disbanded; mostly because they had reassured everyone they wouldn’t when the rumors of a break up started flying. Because I didn’t find out about Steps until after they disbanded, I was shielded from any bad feelings about them, which is good, because I truly love some Steps. They are like a cheesy ABBA disco tribute band gone completely over the edge with bubble gum pop goodness. This is my favorite song by Steps, and it really is a shame that they didn’t continue on, because they made some really great pop music together. I’ve always thought this song was the perfect song for a Friday, because it’s all about getting ready for the weekend, so I thought it really worked for today. 
One of my favorite comedians, the amazing Ms. 
