Ten years.
Ten years is how long it was since a Portishead album was released. There has been much talk, and even more speculation about another album, but nothing ever came. So, when the news that Third
When I finally got my hands on Third earlier this year, I almost bet myself that it would be instant love. However, what happened was not what I was expecting, and here’s why… I think that when you have a 10 year span to build up until your next release, no matter what you do, it will never be everything that you (or your fans) want it to be. This doesn’t mean that it isn’t brilliant, but it does mean that it may not have the chance to surpass the brilliance displayed a decade ago… perhaps it is only meant to add to that brilliance; which it does. Such is the case with Third
This record is a cohesive piece of music; each song almost sounds out of place if listened to alone. There aren’t many stand out tracks with the aching moan of Sour Times (for which, I am sure, they are best known for), but overall, this album is truly a work of art. They managed to take their sound and age it almost perfectly for the time that had passed. It is important to remember that they were instrumental in creating the movement of trip hop, and with this album, they have shown that they are still serious contributors to, and shapers of, their ever growing, and ever changing genre. Third is massive, it is epic, it is overwhelming at moments, but it is digestible and enjoyable throughout.
Any true Portishead would love this record, it has everything: the haunting vocals, the tribal banging beats, the warbled guitars, the distorted rhythmic tremblings; they are all there. However, this time around, they have gone darker, deeper, and the result is something aching, and beautiful. For me, as I mentioned, no matter what they did, it could not soar higher than their second, self titled album (which is an all time top 5 album for me), but this album comes damn close; and considering the ten year gap, that ain’t half bad. I just hope that I don’t have to wait ten more years for more great music from this amazing band.
Sparkle Factor: 
Stand Outs: We Carry On, Machine Gun, Nylon Smile, Threads.
Ethereal, floaty, soft, meek, delicate, airy, and mesmerizing; none of these are words I would use to describe the former electroclash sound of Goldfrapp. However, with their recent release, 
, they reinvented themselves once again, and in doing so, made one of the most understated, beautiful albums of the year. The marrying of Allison Goldfrapp’s angelic, whisper-driven voice with the subtle beats and mellow guitar plucking and synthesizer of Will Gregory is quite amazing. 
In at number 30 is a band that hails from nearby Birmingham, Alabama. This indie-rock set first caught my attention with their song Either/Or, mostly because of the unexpectedly different melody and timing they used in the song; the stop and start of the beat and the buzzing guitars is really something quite amazing. It was something that I couldn’t ignore, and I ended up falling head over heels in love with that song, so I naturally had to check out the rest of the album; and I am very glad that I did. Not only do I love their name (it has Orange in the title!), but I have really come to love their sound and this record. 
is full of a wide variety of mid tempo rock tracks, as well as a fair share of down tempo, soul searching confessions. They also sneak a little of their local roots in with a banjo and some country flair near the middle of the album. The eloquence with which the imagery in each song comes across makes for a great story, and coupled with the melody and music, makes for some great music as well; all intimate, and sometimes tragic (such as the track Sour Milk, which is the heartbreaking tale about a deadbeat father, and the disappointment in parents when they don’t live up to perceptions of what parents “should be” — damn I can relate to that). I really have to give another nod to the masterful use of imagery in their song writing, because there are many times that you can’t escape the moment that they are trying to catch you in; which for a musical act, is a huge success, as far as I’m concerned. 
Let’s get this party started right, shall we? First up on my year end list of the best 31 albums of 2008 is a record that should really get under your skin and drive you crazy, but doesn’t. First of all, you have Katie White’s shrill-like vocal styling; that you will either LOVE, or seriously hate. For me… it’s serious love. Also, I have this thing when I hear a song, and they repeat the same thing (be it a repetitive rhythm, or vocal) over, and over, and over, and over… I freak out. I hate it. However, 
: As much as I love the Cardigans (they are definitely amongst my favorite groups of all time), putting a Best Of collection amongst the other contenders kind of isn’t fair for the rest of the studio albums on the top 31 list; even if the record (a double record in this case) is amazing. That being said, it’s a great collection with a ton of songs that I hadn’t heard before, mostly because they were B sides or on soundtracks. If you love the Cardigans, it is a MUST have. It is a solid five star album.
: What should I say that hasn’t been 
: If this album would have been released this year, for the first time, it would have probably been number one (if not amongst the top spots) on this list. However, this CD was originally released in 2005, and there isn’t enough new here to make it a contender. That being said, IF this album had of been released this year, it would have fit perfectly; which is a testament as to how forward and amazing this record is… it can stand the test of 3 years, and do so effortlessly. I can’t wait for the next record from Robyn.
: I love Antony and the Johnsons, and if this EP is any indication as to what we have in store from his next full length release in January, well, you will see this name again next year around this time. The first song on this EP is breathtakingly amazing. 
: Here’s a great record that didn’t connect with me as much as their previous release, but it’s definitely a good record, and I am glad that it’s in my collection. 
: It was Paste Magazine’s number one, and while I do really love this record, it didn’t resonate with me on that level. Zooey Deschanel’s voice is amazing; I can’t wait for volume two.
: And here’s our first casualty ladies and gents… if there were 32 spots, it would be on the list. Fantastic record throughout, it just waivers at the end with the ultra long track, and that is really all that hurts it.
: Here’s another album that should have made the list, but didn’t because there are only so many days in December. It’s a great record in the same vein as Jason Mraz with a little bit more Marc Broussard. There are some eloquent and beautiful songs on this album that captivate me every time I hear them.
: A solid pop album, with some definite movers and dance floor shakers on there. There are a ton of singles on this record, so I don’t know why he has only released two. Either way, he’s maturing nicely.
: Another solid, and hilarious, album from the great Ben Folds. Just missed the cut, seriously.
:This one is kind of a conflict for me, because there are some AMAZING songs on it, but there are more than a couple filler tracks that really drug it down. I am definitely happy to have this in my music collection though, because when Matt’s good, he’s GREAT, seriously, seriously GREAT.
: There are some stunning songs on this album, and they remind me a lot of last year’s top ten group Melee, but they just missed the mark for this year’s list. Note that you cannot by the physical CD on amazon, so the link is for the MP3 CD. If you must only get one song, you have to get Bigger Than Love. That song is amazing.
: Lastly, I HAVE to mention Aqualung, not only because he made my top ten last year, but because he released possibly one of the most amazingly beautiful songs on this record, called Arrivals. It is the last track of a record that feels sort of hurried, but there is nothing about this song that isn’t beautiful, sweet, and oh-so elegantly constructed. This is a MUST have just because of that one song, I tell you; I only wish the rest of the album would have been as amazing.
I have been sitting on this song for a few weeks now, but I have been enjoying it more and more with each listen. It starts off simple, and the builds to an all out head bopping dance rock-pop number that I swear sounds like The Cure, Morrissey, and The Shins are all collaborating on one track. The result is something so inherently 80’s alternative, yet still current enough to really make you want to pick up the record for future listens. The song would fit in either decade, but it’s definitely interesting to hear the 80’s sound of such great bands like The Cure being updated slightly for the here and now. 
I almost didn’t pick this one for this week because I picked a Matt Alber track last week, and I don’t want to delve into the realm of overkill. BUT… I saw the accompanying video for this song last night, and I shit you not, there were fucking tears streaming down my face by the end. It is an insanely beautiful song, and the video is so completely sweet, honest, and believable, that it really reminded me of the amazing scene between Jack and Jack on Torchwood (if you don’t know what I am talking about, 
This song is weird… and that is why I LOVE IT. The beat, the clapping, the weird background vocals, the tribal sounds… all of it is AMAZING. This is one of those songs that you hear it, and wonder what the fuck you are listening to, and you want to know because it is so fucking amazing that you have to have it and play it on repeat. These guys are being compared to fellow electro rock groups like MGMT, and I definitely see the resemblance, but there is something in this song that makes me love it so much more than anything I have heard from the others so far. Also, be sure to check out the trippy, and amazing 
I have been a fan of Freezepop ever since I heard the AMAZING track they did for the Guitar Hero series called Less Talk More Rokk. Well, I noticed on iTunes that they released an EP recently, I was really impressed by this track. This particular remix is incredibly hot, and is so synthed out that it is just insane. I want to put on my dancing shoes and fucking gyrate all night long to this track. It is actually hard to sit still and type as I listen to it. I am really glad to have been exposed to Freezepop from Guitar Hero, and I have enjoyed pretty much everything I have heard from them. 
Poor Len… such an amazing song, and that was about it. Well, lucky for them, this amazing track was recently featured in Zack and Miri Make a Porno, which instantly made me put it back into rotation; and I’m sure, made them a small chunk of change at the same time. This is one of those songs that are perfect to drive around to, or to enjoy a great time with friends. This song made a splash back in 1999, and was even featured in the movie Go (which had a pretty amazing soundtrack). Even though it was there one hit wonder, Len sure sold a lot of albums based on this little ditty; I remember for a while, you couldn’t go to a used CD store and see any less than 10 Len albums in the used bin. I guess people got tired of the song, but not me… I’m glad to bring it back!
I have been told by a few of you to give James’ new release a chance, and after hearing this song on BBC 1 the other day, I can see why you wanted me to; this track is sweet and ever so beautiful. I couldn’t really get into James’ debut that was released last year, but it wasn’t because it wasn’t good; I can definitely recognize his talent, and I certainly get that he is good at what he is doing. However, it just didn’t mesh with me for whatever reason, so when I saw he had released another record, I wasn’t that interested. Well, color me interested now, because this song is sweet music to my ears. I am glad that I listened to your recommendations and checked him out again… also, this is a big nod to the amazingness that is BBC 1; they play so many songs that I wouldn’t expect to like, but do!!
Many of you may not know this about me, but I used to be a certified Jesus Freak (especially musically). When I was in college, ALL of my music was pretty much contemporary Christian, with my favorite band being the amazing Jars of Clay. Through Jars of Clay, I found Bebo Norman, and I still count both of them amongst my favorite artists to this day (even though I am not as “into them” as I was back then). Well, I saw somewhere randomly that Bebo had a song about Britney on his new record (which was released a couple of months ago), and it prompted me to check out his newest release. The song is really sweet, and touching, and honestly, it is nice to know that people really do see the what the media and the press can do to stars like Ms. Spears, and offer compassion for her having hard times because of it. Bebo definitely writes from a very Christian perspective (being that he is a Christian artist), but I have never gotten a sense that he is offering anything but compassion and understanding; without judgment. In this song, he’s coming from a place of compassion, and find that refreshing; especially in a time when so many others that call themselves Christian come from a place of such hatred. One thing that I learned when I was so into church, was the God, Jesus, and Christianity as a religious identity isn’t meant to be a tool used for damning, persecuting, or judging anyone; it is meant to be a tool for showing compassion, understanding, and love. Since I came out, church hasn’t been a big part of my life, partly because of the hate and hypocrisy I constantly see splattered about the news, but little things like Bebo’s music remind me that not all Christian’s are like that; some of them really are coming from the place that the Bible says that they should… a place of love and hope. Regardless of whether you interpret Bebo’s message to be love from God, or just love from someone that cares, Christians like Bebo really seem to exemplify what I came to know as Christianity in the first place; and when I heard that in this song, I really loved it. I appreciate Bebo’s compassion, and after listening to his recently released self-titled album, I remember why I loved him so much; he is a fantastic singer, artist, and musician, and he seems to be a truly fantastic person at heart… if only other Christians could see that you can love God without hating someone who doesn’t fit the mold perfectly through your eyes. To speak quite frankly, it isn’t about believing in God; it is about being a good person, and caring about others, and seeing that we all struggle through different things in our lives, and offering compassion to those in their time of need. If only those that judge and hate could show the love that they are supposed to subscribe to, perhaps we’d all be better off for it. Religious or not, I think that’s something we could all learn from.
In kind of a way to honor Ladyhawke’s solid debut record finally coming out in the US this week, I wanted to feature my favorite track from the record. Since there has been so much continued press and hype about her in the music blogosphere, I didn’t feel the need to focus on her specifically, because I felt that it had been covered, and that the word was out there. I will say that I am definitely impressed with her debut, and I do believe that you will see it amongst my albums of the year; but again, I felt like everyone else had already raised that flag, so I didn’t need to. Well, her record is finally out in the US this week, and to celebrate, here’s my favorite track from the album. It is definitely a little eighties, and it is a toe-tapper that will have you bopping your head and wanting more. You may not have heard about Ladyhawke from me first, but know that just because I haven’t said anything, doesn’t mean that I don’t give her a big thumbs up as well.
To round out the bunch, here’s one of my favorite one hit wonders from the nineties. If you recall, last week, I said that I would pepper future 5SF’s with these little gems, and this is one of my favorites. This song wasn’t really HUGE, but it is definitely one of those tracks that is a MAJOR ear worm. I seriously cannot skip this track if it comes up on my ipod, and if it comes on the radio, I find myself singing along at the top of my lungs. I have to this day, never heard another Merril Bainbridge track, but this one more than makes up for anything else she may have done; it’s pop perfection. Even if you hate this song, I can bet that even you know the words. Songs like this are a perfect example of the one hit wonders from the nineties, and these tracks REALLY take me back there. Enjoy!